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ggling from the beaten path, he thinks he has them at a notable disadvantage, and falls foul of them without loss of time, partly to soothe his own sense of mortified self-consequence, and as an edifying spectacle to his legitimate friends. He takes none but unfair advantages. He _twits_ his adversaries (that is, those who are not in the leading-strings of his school or party) with some personal or accidental defect. If a writer has been punished for a political libel, he is sure to hear of it in a literary criticism. If a lady goes on crutches and is out of favour at court, she is reminded of it in Mr. Gilford's manly satire. He sneers at people of low birth or who have not had a college-education, partly to hide his own want of certain advantages, partly as well-timed flattery to those who possess them. He has a right to laugh at poor, unfriended, untitled genius from wearing the livery of rank and letters, as footmen behind a coronet-coach laugh at the rabble. He keeps good company, and forgets himself. He stands at the door of Mr. Murray's shop, and will not let any body pass but the well-dressed mob, or some followers of the court. To edge into the _Quarterly_ Temple of Fame the candidate must have a diploma from the Universities, a passport from the Treasury. Otherwise, it is a breach of etiquette to let him pass, an insult to the better sort who aspire to the love of letters--and may chance to drop in to the _Feast of the Poets_. Or, if he cannot manage it thus, or get rid of the claim on the bare ground of poverty or want of school-learning, he _trumps_ up an excuse for the occasion, such as that "a man was confined in Newgate a short time before"--it is not a _lie_ on the part of the critic, it is only an amiable subserviency to the will of his betters, like that of a menial who is ordered to deny his master, a sense of propriety, a knowledge of the world, a poetical and moral license. Such fellows (such is his cue from his employers) should at any rate be kept out of privileged places: persons who have been convicted of prose-libels ought not to be suffered to write poetry--if the fact was not exactly as it was stated, it was something of the kind, or it _ought_ to have been so, the assertion was a pious fraud,--the public, the court, the prince himself might read the work, but for this mark of opprobrium set upon it--it was not to be endured that an insolent plebeian should aspire to elegance, taste, fancy--it
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