turn to Mr.
Jeffrey's mind, and that he feels that as in the struggle between
liberty and slavery, the views of the one party have been laid bare with
their success, so the exertions on the other side should become more
strenuous, and a more positive stand be made against the avowed and
appalling encroachments of priestcraft and arbitrary power.

The characteristics of Mr. Jeffrey's general style as a writer
correspond, we think, with what we have here stated as the
characteristics of his mind. He is a master of the foils; he makes an
exulting display of the dazzling fence of wit and argument. His strength
consists in great range of knowledge, an equal familiarity with the
principles and the details of a subject, and in a glancing brilliancy
and rapidity of style. Indeed, we doubt whether the brilliancy of his
manner does not resolve itself into the rapidity, the variety and
aptness of his illustrations. His pen is never at a loss, never stands
still; and would dazzle for this reason alone, like an eye that is ever
in motion. Mr. Jeffrey is far from a flowery or affected writer; he has
few tropes or figures, still less any odd startling thoughts or quaint
innovations in expression:--but he has a constant supply of ingenious
solutions and pertinent examples; he never proses, never grows dull,
never wears an argument to tatters; and by the number, the liveliness
and facility of his transitions, keeps up that appearance of vivacity,
of novel and sparkling effect, for which others are too often indebted
to singularity of combination or tinsel ornaments.

It may be discovered, by a nice observer, that Mr. Jeffrey's style of
composition is that of a person accustomed to public speaking. There is
no pause, no meagreness, no inanimateness, but a flow, a redundance and
volubility like that of a stream or of a rolling-stone. The language is
more copious than select, and sometimes two or three words perform the
office of one. This copiousness and facility is perhaps an advantage
in _extempore_ speaking, where no stop or break is allowed in the
discourse, and where any word or any number of words almost is better
than coming to a dead stand; but in written compositions it gives an
air of either too much carelessness or too much labour. Mr. Jeffrey's
excellence, as a public speaker, has betrayed him into this peculiarity.
He makes fewer _blots_ in addressing an audience than any one we
remember to have heard. There is not a hair's-