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st according to our own fancy Profoundly and learnedly engaged in discussing medicine Profuse in his legends of his own doings in love and war Rather better than people with better coats on them Rather a dabbler in the "ologies" Recovered as much of their senses as the wine had left them Respectable heir-loom of infirmity Seems ever to accompany dullness a sustaining power of vanity Sixteenthly, like a Presbyterian minister's sermon Stoicism which preludes sending your friend out of the world Strong opinions against tobacco within doors Suppose I have laughed at better men than ever he was Sure if he did, doesn't he take it out o' me in the corns? That vanity which wine inspires That "to stand was to fall," That land of punch, priests, and potatoes The divil a bit better she was nor a pronoun The tone of assumed compassion The "fat, fair, and forty" category There are unhappily impracticable people in the world There is no infatuation like the taste for flirtation They were so perfectly contented with their self-deception Time, that 'pregnant old gentleman,' will disclose all Unwashed hands, and a heavy gold ring upon his thumb Vagabond if Providence had not made me a justice of the peace We pass a considerable portion of our lives in a mimic warfare What will not habit accomplish What we wish, we readily believe What we wish we readily believe When you pretended to be pleased, unluckily, I believed you Whenever he was sober his poverty disgusted him Whiskey, the appropriate liquor in all treaties of this nature Whose paraphrase of the book of Job was refused Wretched, gloomy-looking picture of woe-begone poverty End of the Project Gutenberg EBook of The Confessions of Harry Lorrequer, Complete, by Charles James Lever (1806-1872) *** END OF THIS PROJECT GUTENBERG EBOOK HARRY LORREQUER, COMPLETE *** ***** This file should be named 5240.txt or 5240.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/2/4/5240/ Produced by Mary Munarin and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms o
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