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y years ago? "Emily," he said, "shall have a good education, however we stint ourselves; then, when she grows up, she'll always be able to keep herself from want, and our poverty won't matter to her." And in that, at all events, he was right, and it's come about as he said. No, Emily, we're not going to be a burden to you, so don't fear it.' 'Mother, will you let me be by myself a little? I will come down to you presently.' 'Aren't you well, my dear?' the mother asked, with a mixture of offended reserve and anxiety occasioned by the girl's voice and aspect. 'I have a headache. I will rest till tea-time.' Mrs. Hood had for a long time been unused to tend Emily with motherly offices; like her husband, she was not seldom impressed with awe of this nature so apart from her own. That feeling possessed her now; before Emily's last words she moved away in silence and closed the door behind her gently. The irony of fate, coming out so bitterly in all that her mother had said, was like a cold hand on Emily's heart. She sat again in the chair from which she had risen, and let her head lie back. Her vitality was at a low ebb; the movement of indignation against the cruelty which was wrecking her life had passed and left behind it a weary indifference. Happily she need not think yet. There were still some hours of respite before her; there was the night to give her strength. The daylight was a burden; it must be borne with what patience she could summon. But she longed for the time of sacred silence. To a spirit capable of high exaltations, the hour of lassitude is a foretaste of the impotence of death. To see a purpose in the cold light of intellectual conviction, and to lack the inspiring fervour which can glorify a struggle with the obstacles nature will interpose, is to realise intensely the rugged baldness of life stripped of illusion, life as we shall see it when the end approaches and the only voice that convinces tell us that all is vanity. It is the mood known by the artist when, viewing the work complete within his mind, his heart lacks its joy and his hand is cold to execute. Self-consciousness makes of life itself a work of art. There are the blessed moments when ardour rises in pursuit of the ideal, when it is supreme bliss to strive and overcome; and there are the times of aching languor, when the conception is still clear in every line, but the soul asks wearily--To what end? In Emily it was reaction aft
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