ll watches he
must have revolved many theories of how the future should be met and
mastered. In the old notebook there still remains a well-worn clipping,
the words of some unknown writer, which he had preserved and may have
consulted as a sort of creed. It is an interesting little document--a
prophetic one, the reader may concede:

HOW TO TAKE LIFE.--Take it just as though it was--as it is--an
earnest, vital, and important affair. Take it as though you were
born to the task of performing a merry part in it--as though the
world had awaited for your coming. Take it as though it was a grand
opportunity to do and achieve, to carry forward great and good
schemes; to help and cheer a suffering, weary, it may be
heartbroken, brother. Now and then a man stands aside from the
crowd, labors earnestly, steadfastly, confidently, and straightway
becomes famous for wisdom, intellect, skill, greatness of some sort.
The world wonders, admires, idolizes, and it only illustrates what
others may do if they take hold of life with a purpose. The
miracle, or the power that elevates the few, is to be found in their
industry, application, and perseverance under the promptings of a
brave, determined spirit.

The old note-book contains no record of disasters. Horace Bixby, who
should know, has declared:

"Sam Clemens never had an accident either as a steersman or as a pilot,
except once when he got aground for a few hours in the bagasse (cane)
smoke, with no damage to anybody though of course there was some good
luck in that too, for the best pilots do not escape trouble, now and
then."

Bixby and Clemens were together that winter on the Alonzo Child, and
a letter to Orion contains an account of great feasting which the two
enjoyed at a "French restaurant" in New Orleans--"dissipating on a
ten-dollar dinner--tell it not to Ma!"--where they had sheepshead fish,
oysters, birds, mushrooms, and what not, "after which the day was too
far gone to do anything." So it appears that he was not always reading
Macaulay or studying French and astronomy, but sometimes went frivoling
with his old chief, now his chum, always his dear friend.

Another letter records a visit with Pamela to a picture-gallery in
St. Louis where was being exhibited Church's "Heart of the Andes." He
describes the picture in detail and with vast enthusiasm.

"I have seen it several times," he concludes, "but it is always