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had a profitable play, and was in no hurry for the recrudescence of Sellers. Howells tells how he eventually took the manuscript to Raymond, whom he found "in a mood of sweet reasonableness" at one of Osgood's luncheons. Raymond said he could not do the play then, but was sure he would like it for the coming season, and in any case would be glad to read it. In due time Raymond reported favorably on the play, at least so far as the first act was concerned, but he objected to the materialization feature and to Sellers as claimant for the English earldom. He asked that these features be eliminated, or at least much ameliorated; but as these constituted the backbone and purpose of the whole play, Clemens and Howells decided that what was left would be hardly worth while. Raymond finally agreed to try the play as it was in one of the larger towns--Howells thinks in Buffalo. A week later the manuscript came back to Webster, who had general charge of the business negotiations, as indeed he had of all Mark Twain's affairs at this time, and with it a brief line: DEAR SIR,--I have just finished rereading the play, and am convinced that in its present form it would not prove successful. I return the manuscript by express to your address. Thanking you for your courtesy, I am, Yours truly, JOHN T. RAYMOND. P.S.--If the play is altered and made longer I will be pleased to read it again. In his former letter Raymond had declared that "Sellers, while a very sanguine man, was not a lunatic, and no one but a lunatic could for a moment imagine that he had done such a work" (meaning the materialization). Clearly Raymond wanted a more serious presentation, something akin to his earlier success, and on the whole we can hardly blame him. But the authors had faith in their performance as it stood, and agreed they would make no change. Finally a well-known elocutionist, named Burbank, conceived the notion of impersonating Raymond as well as Sellers, making of it a sort of double burlesque, and agreed to take the play on those terms. Burbank came to Hartford and showed what he could do. Howells and Clemens agreed to give him the play, and they hired the old Lyceum Theater for a week, at seven hundred dollars, for its trial presentation. Daniel Frohman promoted it. Clemens and Howells went over the play and made some changes, but they were not as hilarious over it or as full of enthusiasm as they had b
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