e is divided, in the first
place, into several zones, but our great men are ranged in two hostile
camps. The Royalists are 'Romantics,' the Liberals are 'Classics.' The
divergence of taste in matters literary and divergence of political
opinion coincide; and the result is a war with weapons of every sort,
double-edged witticisms, subtle calumnies and nicknames _a outrance_,
between the rising and the waning glory, and ink is shed in torrents.
The odd part of it is that the Royalist-Romantics are all for liberty
in literature, and for repealing laws and conventions; while the
Liberal-Classics are for maintaining the unities, the Alexandrine, and
the classical theme. So opinions in politics on either side are directly
at variance with literary taste. If you are eclectic, you will have no
one for you. Which side do you take?"

"Which is the winning side?"

"The Liberal newspapers have far more subscribers than the Royalist and
Ministerial journals; still, though Canalis is for Church and King,
and patronized by the Court and the clergy, he reaches other
readers.--Pshaw! sonnets date back to an epoch before Boileau's time,"
said Etienne, seeing Lucien's dismay at the prospect of choosing between
two banners. "Be a Romantic. The Romantics are young men, and the
Classics are pedants; the Romantics will gain the day."

The word "pedant" was the latest epithet taken up by Romantic journalism
to heap confusion on the Classical faction.

Lucien began to read, choosing first of all the title-sonnets.

EASTER DAISIES.

The daisies in the meadows, not in vain,
In red and white and gold before our eyes,
Have written an idyll for man's sympathies,
And set his heart's desire in language plain.

Gold stamens set in silver filigrane
Reveal the treasures which we idolize;
And all the cost of struggle for the prize
Is symboled by a secret blood-red stain.

Was it because your petals once uncurled
When Jesus rose upon a fairer world,
And from wings shaken for a heav'nward flight
Shed grace, that still as autumn reappears
You bloom again to tell of dead delight,
To bring us back the flower of twenty years?

Lucien felt piqued by Lousteau's complete indifference during the
reading of the sonnet; he was unfamiliar as yet with the disconcerting
impassibility of the professional critic, wearied by much reading of
poetry, prose, and plays. Lucien was accustomed to applause. He choked
d