FREE BOOKS

Author's List




PREV.   NEXT  
|<   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155  
156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   >>   >|  
usband's widow'd arms he tore: Then with unbless'd, unhallow'd nuptials stain'd The sacred altar, and its rites profan'd. Alas! the splendour of a crown, how vain, From Heaven's dread eye to veil the dimmest stain! To conqu'ring Greece, to ruin'd Troy, what woes, What ills on ills, from Helen's rape arose! Let Appius own, let banish'd Tarquin tell On their hot rage what heavy vengeance fell. One female, ravish'd, Gibeah's streets[270] beheld, O'er Gibeah's streets the blood of thousands swell'd In vengeance of the crime; and streams of blood The guilt of Zion's sacred bard[271] pursued. Yet Love, full oft, with wild delirium blinds, And fans his basest fires in noblest minds; The female garb the great Alcides[272] wore, And for his Omph{)a}le the distaff[273] bore. For Cleopatra's frown the world was lost: The Roman terror, and the Punic boast, Cannae's great victor,[274] for a harlot's smile, Resign'd the harvest of his glorious toil. And who can boast he never felt the fires, The trembling throbbings of the young desires, When he beheld the breathing roses glow, And the soft heavings of the living snow; The waving ringlets of the auburn hair, And all the rapt'rous graces of the fair! Oh! what defence, if fix'd on him, he spy The languid sweetness of the stedfast eye! Ye who have felt the dear, luxurious smart, When angel-charms oppress the powerless heart, In pity here relent the brow severe, And o'er Fernando's weakness drop the tear. To conclude the notes on this book, it may not be unnecessary to observe that Camoens, in this episode, has happily adhered to a principal rule of the Epopea. To paint the manners and characters of the age in which the action is placed, is as requisite in the epic poem as it is to preserve the unity of the character of an individual. That gallantry of bravery and romantic cast of the military adventures, which characterised the Spaniards and Portuguese during the Moorish wars, is happily supported by Camoens in its most just and striking colours. In storming the citadel of Arzila, the Count de Marialva, a brave old officer, lost his life. The king, leading his only son, the Prince Don Juan, to the body of the count, while the blood yet streamed from his wounds: "Behold," he cried, "that great man! May God grant you, my son, to imitate his virtues. M
PREV.   NEXT  
|<   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155  
156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   >>   >|  



Top keywords:

vengeance

 

happily

 

female

 

Gibeah

 

streets

 
beheld
 

Camoens

 

sacred

 
adhered
 
principal

luxurious

 
characters
 
sweetness
 
manners
 

stedfast

 

Epopea

 
languid
 

charms

 

weakness

 

conclude


action

 
severe
 

relent

 

Fernando

 

powerless

 

oppress

 

observe

 
unnecessary
 

episode

 

romantic


Prince

 
leading
 

Marialva

 
officer
 
imitate
 
virtues
 

wounds

 

streamed

 

Behold

 

Arzila


gallantry

 
bravery
 

defence

 

military

 

individual

 

requisite

 

preserve

 

character

 

adventures

 

characterised