FREE BOOKS

Author's List




PREV.   NEXT  
|<   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313  
314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   >>   >|  
nered up, for conversion, as opportunity offers, into the current coin of the realm. There is some periodical vehicle, nowadays, for the reception of every possible kind of literary ware. The literary man converses now through the medium of the Press, and turns every thing into copyright at once. He can not afford to drop his ideas by the way-side; he must keep them to himself, until the printing-press has made them inalienably his own. If a happy historical or literary illustration occurs to him, it will do for a review article; if some un-hackneyed view of a great political question presents itself to him, it may be worked into his next leader; if some trifling adventure has occurred to him, or he has picked up a novel anecdote in the course of his travels, it may be reproduced in a page of magazine matter, or a column of a cheap weekly serial. Even puns are not to be distributed gratis. There is a property in a _double-entente_, which its parent will not willingly forego. The smallest jokelet is a marketable commodity. The dinner-table is sacrificed to _Punch_. There is too much competition in these days, too many hungry candidates for the crumbs that fall from the thinker's table, not to make him chary of his offerings. In these days, every scrap of knowledge--every happy thought--every felicitous turn of expression, is of some value to a literary man; the forms of periodical literature are so many and so varied. He can seldom afford to give any thing away; and there is no reason why he should. It is not so easy a thing to turn one's ideas into bread, that a literary man need be at no pains to preserve his property in them. We do not find that artists give away their sketches, or that professional singers perform promiscuously at private parties. Perhaps, in these days of much publishing, professional authors are wise in keeping the best of themselves for their books and articles. We have known professional writers talk criticism; but we have generally found it to be the very reverse of what they have published. * * * * * REWARDS OF LITERATURE.--Literature has been treated with much ingratitude, even by those who owe most to it. If we do not quite say with Goldsmith, that it supports many dull fellows in opulence, we may assert, with undeniable truth, that it supports, or ought to support, many clever ones in comfort and respectability. If it does not it is less the fault of the pro
PREV.   NEXT  
|<   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313  
314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   >>   >|  



Top keywords:

literary

 

professional

 
property
 

afford

 

supports

 

periodical

 

reason

 

undeniable

 

opulence

 

artists


fellows

 
preserve
 
assert
 

varied

 
expression
 
felicitous
 

knowledge

 

thought

 

literature

 

sketches


seldom

 

support

 

clever

 

respectability

 

comfort

 

promiscuously

 

reverse

 

generally

 

LITERATURE

 
Literature

treated

 

published

 
REWARDS
 

criticism

 

Perhaps

 
publishing
 

authors

 
parties
 

private

 
singers

perform

 

ingratitude

 

keeping

 
writers
 

Goldsmith

 

articles

 
forego
 

inalienably

 

printing

 
historical