d the fullest melody,
Where the crown of hope is nearest,
Where the voice of joy is clearest,
Where the heart of youth is lightest,
Where the light of love is brightest,
There is death.'
ELECTIONS IN LITERATURE.
It is not surprising that Parliamentary contests should have figured
largely in the English plays, stories, and poems of the past. That they
will hold so prominent a place in them in future is, of course, by no
means certain. If elections have been made purer than they were, they
have been made less picturesque. They have now but little romance about
them. Nearly everything in them is precise and practical. The literary
artist, therefore, is likely to find in them few things to attract him,
and will be, to that extent, at a disadvantage as compared with those
who have preceded him. There were days when the preliminary canvassing,
the nomination and the polling days, had features which invited
treatment on the stage or in print. The whole atmosphere of
electioneering was different to that which now exists. Those involved in
it went about their work with a reckless jollity productive of results
eminently interesting to students of character and manners. A battle at
the polls brought out all which was most characteristic in the
Englishmen of the times, and to describe such a conflict was naturally
the aim of many a man of letters.
Several theatrical pieces have been based almost wholly upon the varied
incidents of such a contest. There was, for example, that 'musical
interlude,' 'The Election,' written by Miles Peter Andrews, and produced
at Drury Lane in 1774. In this, Trusty and Sir Courtly are candidates
for a seat, and, while one John, a baker, would fain vote for the
former, his wife is desirous that he should support the latter. As she
wheedlingly remarks,
'Sir Courtly says, if you'll but vote for him,
He'll fill your pockets to the very brim.'
But John is not to be corrupted:
'Honest John no bribe can charm;
His heart is like his oven, warm;
Though poor as Job,
He will not rob,
Nor sell his truth to fill his fob.'
Nay, not though by so doing he may secure a husband for his daughter
Sally. He votes for Trusty, and Sally's sweetheart respects him all the
more for it. As the lover says to the lady:
'Your father's merit sets him up to view,
And more enhances my esteem for you.'
And, in truth, everybody is delighted, for, as they sin
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