rne from the world without,
Cheer'd a heart sick with grief and doubt.
O doubting soul, bow'd down so low,
If thou couldst feel, and only know
The darkness is in thee alone,
For grief and tears it would atone.
"No night so dark, no day so drear,
But we may sing our songs of cheer."
Let the authoress note that each line must have eight syllables--no
more, no less. For the trite ideas and hackneyed rhymes, nothing can be
recommended save a more observant and discriminating perusal of standard
poets. It must be kept in mind that the verse found in current family
magazines and popular hymn-books is seldom, if ever, true poetry. The
only authors suitable as models, are those whose names are praised in
histories of English literature.
W. F. Booker's "Song" is a delightful short lyric whose sentiment and
technique deserve naught but praise.
"When I Am Gone," a poem in pentameter quatrains by James Laurence
Crowley, contains the customary allotment of sweet sentiment, together
with some really commendable imagery. Mr. Crowley's genius will shine
brightly before long.
"The Path to Glory," by Andrew Francis Lockhart, is perhaps the poetic
gem of the issue. In this virile anapaestic piece Mr. Lockhart sums up
all the horrors of the trenches in such a way that the reader may guess
at the extent of the sacrifice undergone by those who have given all for
their country.
In "Coconino Jim, Lumberjack," Mr. Harry E. Rieseberg shows himself a
true and powerful poet of the rugged, virile school of Kipling, Service,
Knibbs, and their analogues. The present piece is entirely correct in
rhyme and well-developed in thought, wanting only good metre to make it
perfect. This latter accomplishment Mr. Rieseberg should strive hard to
attain, for his poetry surely deserves as good a form as he can give it.
A word of praise should be given Mr. Samples' editorial, "The
Professional in Amateur Journalism," in which he shows the fallacy of
the plea for a cruder, more juvenile amateurdom, which often emanates
from members of the older and less progressive associations. As the
editor contends, intellectual evolution must occur; and the whole recent
career of the United demonstrates the value of a purely literary society
for genuine literary aspirants of every age and every stage of mental
development.
THE UNITED AMATEUR MAY 1919
Helene Hoffman Cole--Litterateur
Howard Phillips Lovecraft
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