FREE BOOKS

Author's List




PREV.   NEXT  
|<   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126  
127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   >>  
st for blows. They came fast and furious, but other breasts and heads beside her own suffered. Mr. William Rooney was in full action. The entire company was on the stage in the midst of the last ensemble bit in the first act, all talking and acting with blue booklets of lines in their hands. "Here you, Mr. Kent," roared Mr. Rooney as he rose from behind his table, at one side of which sat faithful Fido annotating his copy of the manuscript, "make up to that old lady like she was the last ham sandwich extinct and you knew you were going to be fed on alfalfa the rest of your life. Get her going, man, get her going! She's an old fool, and you know it, but you've got to have her plantation and slaves. You can keep a chorus-girl car in the garage if you just get her well fooled. Fool along, fool along!" "'I will write the message to your son, Madam Carrington, and dispatch it forthwith by one of my own black boys. Is my hand not ever ready for your service and my wit--and also my heart?'" declaimed Mr. Kent with satisfactory fervor, as he kissed Miss Herne's fat white hand. "Now blob, Miss Herne, blob!" directed Mr. Rooney, coming entirely from behind the table. "You are the fool of this show and don't let anybody get that away from you." "'I pray a blessing on your excellent friendship, Judge Cheneworth, and I will rest me content in--'" Miss Herne answered in a most excellent imitation of the helplessness of an old grand dame. "Break in there, Miss Lindsey, break in!" raved Mr. Rooney. "'Content in' is your cue. Grab it. Remember you are just the sister and only in the play to swell the list of actors on the program, so grab and keep a-grabbing if you want a place on the salary list. Now, everybody on at Miss Lindsey's lines and break up this drivel between the old birds." "'Mother, Rosalind bids me say to you that--'" "Crowd on everybody, crowd on, and keep things going! It will be nine o'clock by now, and we'll have to begin to feed the audience the hugging by a quarter to ten or they will go out and look elsewhere.--Say, Mr. Leigh, are your feet mates? You don't handle 'em even." Miss Adair rose and stole from the box to the stage-door, and looked up and down the street to see if Mr. Vandeford was approaching. She felt that she could not stand more alone. He was nowhere in sight, and she decided to walk around the block and see if the sun at ninety degrees would warm her chill. After this journey she ret
PREV.   NEXT  
|<   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126  
127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   >>  



Top keywords:

Rooney

 

Lindsey

 

excellent

 

drivel

 

salary

 

grabbing

 

Mother

 
things
 

Rosalind

 

Content


imitation

 

helplessness

 

actors

 

program

 

Remember

 

sister

 
quarter
 

decided

 

Vandeford

 

approaching


journey

 

ninety

 

degrees

 

street

 

audience

 

hugging

 
answered
 

looked

 

handle

 

blessing


plantation

 

talking

 

booklets

 

acting

 

slaves

 

garage

 

fooled

 

ensemble

 
chorus
 

manuscript


roared
 
annotating
 

faithful

 
alfalfa
 

sandwich

 
extinct
 

company

 

directed

 

coming

 

kissed