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Project Gutenberg's Blue-grass and Broadway, by Maria Thompson Daviess This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Blue-grass and Broadway Author: Maria Thompson Daviess Release Date: July 12, 2009 [EBook #29391] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK BLUE-GRASS AND BROADWAY *** Produced by David Garcia, Carla Foust, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Kentuckiana Digital Library) Transcriber's note Minor punctuation errors have been changed without notice. Printer errors have been changed and are listed at the end. All other inconsistencies are as in the original. BLUE-GRASS AND BROADWAY [Illustration: "We are all going to stand by, little girl"] BLUE-GRASS AND BROADWAY BY MARIA THOMPSON DAVIESS Author of "THE MELTING OF MOLLY," "THE GOLDEN BIRD," "THE TINDER BOX," etc. NEW YORK THE CENTURY CO. 1919 Copyright, 1919, by THE CENTURY CO. Copyright, 1918, by INTERNATIONAL MAGAZINE COMPANY (HARPER'S BAZAR) _Published, April, 1919_ BLUE-GRASS AND BROADWAY BLUE-GRASS AND BROADWAY CHAPTER I The need of a large sum of money in a great hurry is the root of many noble ambitions, in whose branches roost strange companies of birds, pecking away for dollars that grow--or do not--on bushes. And it was in such a quest that Miss Patricia Adair of Adairville, Kentucky, lit upon a limb of life beside Mr. Godfrey Vandeford of Broadway, New York. Their joint endeavors made a great adventure. "There's nothing to it, Pop; either pony girls will have to grow four legs to cut new capers, somebody will have to write a play entitled 'When Courtship Was in Flower,' requiring flowered skirts ten yards wide with a punch in each furbelow, or we go out of the theatrical business," said Mr. Vandeford, as he shuffled a faint, violet-tinted letter out of a pile of advertising posters emblazoned with dancing girls and men, several personal bills, two from a theatrical storage
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