l Publick Buildings, ought to be large and
streight, and to have many Entrances, to the End the People may come in
and out conveniently; but we shall speak of this more largely in another
place.
[Sidenote: _Lib. 5. Chap. 2._]
[Sidenote: _Lib. 6. Chap. 6._]
The Halls where great Assemblies are to meet, ought to have their
_Ceiling_ very high, and to give them their true Proportion, we must
unite the Length and Breadth, and give the half of the whole for the
height of the _Ceiling_. The Halls where the _Ceiling_ is not so high,
must have only their breadth, and half of their length for their height.
[Sidenote: _Lib. 5. Chap. 2._]
In vast and high places, to remedy the Inconvenience of the noisy Echo,
about the middle of the height of the Wall, must be made a _Cornish_
round about to break the course of the Voice; which without that,
beating against the Walls, would beat a Second time against the
_Ceiling_, and cause a troublesom double Echo.
CHAP. IV.
_Of the Beauty of Buildings._
ARTICLE I.
_In what the Beauty of Building Consists._
_Buildings_ may have two sorts of Beauty, the one _Positive_, and the
other _Arbitrary_. _Positive Beauty_, is that which necessarily pleaseth
of her self; _Arbitrary_, is that which doth not necessarily please of
her self, but her agreeableness depends upon the Circumstances that
accompany her.
_Positive Beauty_, consists in Three principal Things; _viz._ In the
Equality of the Relation that the Parts have one to another, which is
called _Symmetry_, in the Richness of the Materials, in the Properness,
Neatness, and Exactness of the Performance.
[Sidenote: _Lib. 2. Chap. 8._]
[Sidenote: _Lib. 1. Chap. 2._]
[Sidenote: _Lib. 6. Chap. 11._]
As to what regards the Relation of the Parts of the Fabrick one to
another, _Vitruvius_ hath not spoke of it, but only where he prefers the
_Netway_ of Walling before all other sorts of _Masonry_, because of the
Uniformity that is in that Figure, and the laying of the Stones; As to
the Richness of the Materials, he leaves the Disposition to him that is
at the Expences of the Building; and he acknowledges that the Beauty of
the Performance depends wholly upon the Dexterousness and Industry of
the Workmen.
The second sort of _Beauty_, which only pleases by the Circumstances
that accompany it, is of two sorts; The one is called _Wisdom_, and the
other _Regularity_. _Wisdom_ consists in the reasonable use of _Posi
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