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l Publick Buildings, ought to be large and streight, and to have many Entrances, to the End the People may come in and out conveniently; but we shall speak of this more largely in another place. [Sidenote: _Lib. 5. Chap. 2._] [Sidenote: _Lib. 6. Chap. 6._] The Halls where great Assemblies are to meet, ought to have their _Ceiling_ very high, and to give them their true Proportion, we must unite the Length and Breadth, and give the half of the whole for the height of the _Ceiling_. The Halls where the _Ceiling_ is not so high, must have only their breadth, and half of their length for their height. [Sidenote: _Lib. 5. Chap. 2._] In vast and high places, to remedy the Inconvenience of the noisy Echo, about the middle of the height of the Wall, must be made a _Cornish_ round about to break the course of the Voice; which without that, beating against the Walls, would beat a Second time against the _Ceiling_, and cause a troublesom double Echo. CHAP. IV. _Of the Beauty of Buildings._ ARTICLE I. _In what the Beauty of Building Consists._ _Buildings_ may have two sorts of Beauty, the one _Positive_, and the other _Arbitrary_. _Positive Beauty_, is that which necessarily pleaseth of her self; _Arbitrary_, is that which doth not necessarily please of her self, but her agreeableness depends upon the Circumstances that accompany her. _Positive Beauty_, consists in Three principal Things; _viz._ In the Equality of the Relation that the Parts have one to another, which is called _Symmetry_, in the Richness of the Materials, in the Properness, Neatness, and Exactness of the Performance. [Sidenote: _Lib. 2. Chap. 8._] [Sidenote: _Lib. 1. Chap. 2._] [Sidenote: _Lib. 6. Chap. 11._] As to what regards the Relation of the Parts of the Fabrick one to another, _Vitruvius_ hath not spoke of it, but only where he prefers the _Netway_ of Walling before all other sorts of _Masonry_, because of the Uniformity that is in that Figure, and the laying of the Stones; As to the Richness of the Materials, he leaves the Disposition to him that is at the Expences of the Building; and he acknowledges that the Beauty of the Performance depends wholly upon the Dexterousness and Industry of the Workmen. The second sort of _Beauty_, which only pleases by the Circumstances that accompany it, is of two sorts; The one is called _Wisdom_, and the other _Regularity_. _Wisdom_ consists in the reasonable use of _Posi
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