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ves_ he would be totally forgotten. The estimate of their value will differ very much, as the liking for not very original discussion of ethical subjects and sound if not very subtle judgment on them overpowers or not in the reader a distaste for style that has no particular distinction, and ideas which, though often wholesome, are seldom other than obvious. Wordsworth's well-known description of one of his own poems, as being "a chain of extremely valuable thoughts," applies no doubt to the _Resolves_, which, except in elegance, rather resemble the better-known of Cicero's philosophical works. Moreover, though possessing no great elegance, they are not inelegant; though it is difficult to forget how differently Bacon and Browne treated not dissimilar subjects at much the same time. So popular were they that besides the first edition (which is undated, but must have appeared in or before 1628, the date of the second), eleven others were called for up to 1709. But it was not for a hundred years that they were again printed, and then the well-meaning but misguided zeal of their resuscitator led him not merely to modernise their spelling, etc. (a venial sin, if, which I am not inclined very positively to lay down, it is a sin at all), but to "improve" their style, sense, and sentiment by omission, alteration, and other tamperings with the text, so as to give the reader not what Mr. Felltham wrote early in the seventeenth century, but what Mr. Cummings thought he ought to have written early in the nineteenth. This chapter might easily be enlarged, and indeed, as Dryden says, shame must invade the breast of every writer of literary history on a small scale who is fairly acquainted with his subject, when he thinks how many worthy men--men much worthier than he can himself ever pretend to be--he has perforce omitted. Any critic inclined to find fault may ask me where is the ever-memorable John Hales? Where is Tom Coryat, that most egregious Odcombian? and Barnabee of the unforgotten, though scandalous, Itinerary? Where is Sir Thomas Urquhart, quaintest of cavaliers, and not least admirable of translators, who not only rendered Rabelais in a style worthy of him, who not only wrote in sober seriousness pamphlets with titles, which Master Francis could hardly have bettered in jest, but who composed a pedigree of the Urquhart family _nominatim_ up to Noah and Adam, and then improvised chimney pieces in Cromarty Castle, commemorating
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