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and wraithlike civilization, but yet a thing made in the image and containing in itself the germ of that spirit which is the antithesis of barbarism, based on force, being itself the visible expression of the potency of ideas. The _Bad Lands Cowboy_ brought the first tenuous foreshadowing of democratic government to the banks of the Little Missouri, inasmuch as it was an organ which could mould public opinion and through which public opinion might find articulation. It was thus that a youngster, not a year out of college, became, in a sense, the first representative of the American idea in the Marquis de Mores's feudal appanage. Packard was extraordinarily well fitted not only to be a frontier editor, but to be a frontier editor in Medora. His college education gave him a point of contact with the Marquis which most of the other citizens of the Bad Lands lacked; his independence of spirit, on the other hand, kept him from becoming the Frenchman's tool. He was altogether fearless, he was a crack shot and a good rider, and he was not without effectiveness with his fists. But he was also tactful and tolerant; and he shared, and the cowboys knew he shared, their love of the open country and the untrammeled ways of the frontier. Besides, he had a sense of humor, which in Medora in the spring of 1884, was better than great riches. The _Cowboy_ was Packard and Packard was the _Cowboy_. He printed what he pleased, dictating his editorials, as it were, "to the machine," he himself being the machine translating ideas into type as they came. His personal responsibility was absolute. There was no one behind whom he could hide. If any one objected to any statement in Medora's weekly newspaper, he knew whom to reproach. "Every printed word," said Packard, a long time after, "bore my brand. There were no mavericks in the _Bad Lands Cowboy_ articles. There was no libel law; no law of any kind except six-shooter rights. And I was the only man who never carried a six-shooter." To a courageous man, editing a frontier paper was an adventure which had thrills which editors in civilized communities never knew. Packard spoke his mind freely. Medora gasped a little. Packard expressed his belief that a drunken man who kills, or commits any other crime, should be punished for the crime and also for getting drunk, and then there was trouble; for the theory of the frontier was that a man who was drunk was not responsible for what he did, and
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