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_Geschichte der Logik_, 14 note, 19. _Proverbs_, early English, 203. Quintus Curtius, 155. Raymond Lully, 18. Raynaud, M. G., 270. Renan, M., 201. _Reynard the Fox_, 286 _sq._ Rhys, Professor, 136 _sq._ Robert of Gloucester, 204 _sq._ _Robin et Marion_, 317, 318. _Roland, Chanson de_, 29 _sq._ Romance of the Rose, the, 299 _sq._ _Romancero Francais_, 27. _Romanzen und Pastourellen_, 270. Roscellin, 17. Ruteboeuf, 312, 313. Sagas, 339 _sq._ _Santa Maria Egipciaca_, 407, 408. Scotus Erigena, 17. Scotus, John Duns, 18. _Siete Partidas_, 409. _Specimens of Lyric Poetry_, 209 _sq._ Strasburg, Gottfried von, 243-246. St Victor, Adam of, 8. Sully, Maurice de, 323. Swinburne, Mr, 331, 367, 370. Theodorus Prodromus, 379. Thomas of Celano, 9. Thomas of Kent, 158. Thoms, Mr, 282. Ticknor, Mr, 393 _sq._ Todi, Jacopone da, 8. Tressan, Comte de, 28. _Tristram, Sir_, 116. Troubadours, the, 362 _sq._ Troy, the Tale of, 167 _sq._ Troyes, Chrestien de, 101 _sq._ Turpin, Archbishop, 29. Tyre, William of, 327. Tyrwhitt, 25. Valerius, Julius, 152 _sq._ Veldeke, H. von, 242. Vigfusson, Dr, 267. Villehardouin, G. de, 323 _sq._ Vincent of Beauvais, 18. Vogelweide, Walther von der, 256-261. _Volsunga Saga_, 228, 229. Wace, 98. Walter, Archdeacon of Oxford. See Geoffrey of Monmouth. Walter of Chatillon, 155. Walther von der Vogelweide, 256-261. Ward, Mr, 164. Warton's _History of Poetry_, 139. Weber, 163. William IX., of Poitiers, 364. William of Tyre, 327. Wolfram von Eschenbach, 126, 251-256. Wright, Thomas, 209. * * * * * PRINTED BY WILLIAM BLACKWOOD AND SONS. End of the Project Gutenberg EBook of The Flourishing of Romance and the Rise of Allegory, by George Saintsbury *** END OF THIS PROJECT GUTENBERG EBOOK THE FLOURISHING OF ROMANCE *** ***** This file should be named 21600.txt or 21600.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/6/0/21600/ Produced by Jonathan Ingram, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so
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