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--" he looked at the other doubtfully. To poor Tom Pargeter, "doing something" always meant parting with money, and Laurence Vanderlyn was, if not rich, then quite well off. Vanderlyn's hand suddenly shook. He dropped the piece of paper he had been holding. "Perhaps you'll let me have Jasper sometimes--in the holidays," he said, huskily. "Lord, yes! Of course I will! There's nothing would please poor Peggy more! Then--then when will you start, Grid? I mean for Orange?" "At once," said Vanderlyn. Then he looked long, hesitatingly at Pargeter, and the millionaire, with most unusual perspicacity, read and answered the question contained in that strange, uncertain gaze. "Don't bring her back, Grid! I couldn't stand a big funeral here. I don't want to hear any more about it than I can help! Of course, it isn't much good my going over to England _now_; but I won't stay in Paris, I'll get away,--right away for a bit, on the yacht,--and take some of the crowd with me." * * * * * No one ever knew the truth. To the Prefect of Police the mystery of the disappearance of Mrs. Pargeter is still unsolved--unsolvable. When he meets a pretty woman out at dinner he tells her the story--and asks her what she thinks. As for Laurence Vanderlyn, he has gone home--home to the old colonial house which was built by his great-grandfather, the friend of Franklin, on the shores of Lake Champlain. He never speaks of Peggy excepting to Jasper; but to the lad he sometimes talks of her as if she were still there, still very near to them both, near enough to be grieved if her boy should ever forget that he had a mother who loved him dearly. THE END. End of Project Gutenberg's The Uttermost Farthing, by Marie Belloc Lowndes *** END OF THIS PROJECT GUTENBERG EBOOK THE UTTERMOST FARTHING *** ***** This file should be named 18927.txt or 18927.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/9/2/18927/ Produced by Suzanne Shell, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without payin
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