in changed: he now
resembled the successful Oscar of the early nineties: I caught echoes,
too, in his speech of a harder, smaller nature; "that talk about
reformation, Frank, is all nonsense; no one ever really reforms or
changes. I am what I always was."

He was mistaken: he took up again the old pagan standpoint; but he was
not the same; he was reckless now, not thoughtless, and, as soon as one
probed a little beneath the surface, depressed almost to despairing. He
had learnt the meaning of suffering and pity, had sensed their value; he
had turned his back upon them all, it is true, but he could not return
to pagan carelessness, and the light-hearted enjoyment of pleasure. He
did his best and almost succeeded; but the effort was there. His creed
now was what it used to be about 1892: "Let us get what pleasure we may
in the fleeting days; for the night cometh, and the silence that can
never be broken."

The old doctrine of original sin, we now call reversion to type; the
most lovely garden rose, if allowed to go without discipline and
tendance, will in a few generations become again the common scentless
dog-rose of our hedges. Such a reversion to type had taken place in
Oscar Wilde. It must be inferred perhaps that the old pagan Greek in him
was stronger than the Christian virtues which had been called into being
by the discipline and suffering of prison. Little by little, as he began
to live his old life again, the lessons learned in prison seemed to drop
from him and be forgotten. But in reality the high thoughts he had lived
with, were not lost; his lips had been touched by the divine fire; his
eyes had seen the world-wonder of sympathy, pity and love and, strangely
enough, this higher vision helped, as we shall soon see, to shake his
individuality from its centre, and thus destroyed his power of work and
completed his soul-ruin. Oscar's second fall--this time from a
height--was fatal and made writing impossible to him. It is all clear
enough now in retrospect though I did not understand it at the time.
When he went to live with Bosie Douglas he threw off the Christian
attitude, but afterwards had to recognise that "De Profundis" and "The
Ballad of Reading Gaol" were deeper and better work than any of his
earlier writings. He resumed the pagan position; outwardly and for the
time being he was the old Oscar again, with his Greek love of beauty and
hatred of disease, deformity and ugliness, and whenever he met a
kin