of this month. These girls do nothing but put white-caps to
waves. There's a great demand at present for the windy marine. This next
room is devoted to portraits to order. You see that row of old ladies
without heads, each holding a pair of spectacles, and with one finger in
the Bible to keep the place; that's very popular, and we put in a head
when the photograph is sent. There is a great rage at present for
portraits of babies without any clothes on. Here is a lot of undraped
infants with bodies all finished, but with no heads. We can finish them
to order at very short notice. I have one girl who puts in all the
dimples. You would be surprised to see what a charming dimple she can
make with one twist of her brush. Long practice at one thing, sir, is
the foundation of the success of this great establishment. Take that
girl away from her dimple-pot, and she is nothing. She is now upstairs,
putting dimples into a large Correggio order from the West. This next
room is our figure department, battle-pieces, groups, single figures,
everything. As you have seen before, each man only copies from the
original that part which is his specialty. In addition to its other
advantages, this system is a great protection to us. None of my men can
work at home at nights and Sundays, and forge pictures. Not one of them
can do a whole one. And now, sir, you have seen the greater part of my
establishment. The varnishing, packing, and storage rooms are in another
building. I am now perfecting plans for the erection of an immense
edifice with steam-engines in the cellar, in which my paintings shall be
done by machinery. No chromos, mind you, but real oil-paintings, done by
brushes revolving on cylinders. I shall have rolls of canvas a mile
long, like the paper on which our great dailies are printed, and the
machines shall do everything; cut off the picture, when it has passed
among the cylinders, whereupon fresh canvas will be rolled in for a new
one; another machine will stretch them; and they will pass through a
varnish bath in the twinkling of an eye. But this is in the future. What
I want of you, sir, and of other men of influence in society, is to let
our people know of the great good that is ready for them now, and of
the greater benefit that is coming. And, more than that, you can do
incalculable good to our artists. Those poor toilers on the solitary
canvas should know how to become prosperous, great, and happy; tell them
to go into so