m'd worm;
Yield him, who all thy human sons doth hate,
From forth thy plenteous bosom, one poor root!"
"What, think'st
That the bleak air, thy boisterous chamberlain,
Will put thy shirt on warm? will these moss'd trees,
That have outliv'd the eagle, page thy heels,
And skip where thou point'st out? will the cold brook.
Candied with ice, caudle thy morning taste,
To cure thy o'er-night's surfeit?"
"O thou sweet king-killer, and dear divorce
'Twixt natural son and sire! thou bright defiler
Of Hymen's purest bed! thou valiant Mars!
Thou ever young, fresh, lov'd, and delicate wooer,
Whose blush doth thaw the consecrated snow
That lies on Dian's lap! thou visible god,
That solder'st close impossibilities,
And mak'st them kiss! that speak'st with every tongue,
To every purpose! O thou touch of hearts!
Think, thy slave man rebels; and by thy virtue
Set them into confounding odds, that beasts
May have the world in empire!"
_Timon of Athens, iv_. 3.
Shakespeare's boldness in metaphors is pretty strongly exemplified in
some of the forecited passages; but he has instances of still greater
boldness. Among these may be named Lady Macbeth's--
"Come, thick night,
And pall thee in the dunnest smoke of Hell,
That my keen knife see not the wound it makes,
Nor Heaven peep through the blanket of the dark,
To cry _Hold, hold_!"
Here "blanket of the dark" runs to so high a pitch, that divers
critics, Coleridge among them, have been staggered by it, and have
been fain to set it down as a corruption of the text. In this they are
no doubt mistaken: the metaphor is in the right style of Shakespeare,
and, with all its daring, runs in too fair keeping to be ruled out of
the family. Hardly less bold is this of Macbeth's--
"Heaven's cherubin, hors'd
Upon the sightless couriers of the air,
Shall blow the horrid deed in every eye,
That tears shall drown the wind."
With these I suspect may be fitly classed, notwithstanding its
delicacy, the following from Iachimo's description of Imogen, when he
comes out of the trunk in her chamber:
"The flame o' the taper
Bows toward her; and would under-peep her lids,
To see th' enclosed lights, now canopied
Under these windows, white an
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