he now directed her steps to a
little rustic seat, almost hidden from view by the pendent branches
of an old willow-tree, and close under a hawthorn-hedge, now in full,
fragrant bloom. Here she seated herself, or rather flung herself down,
half languidly, half petulantly, an expression of _ennui_ and unrest
darkening her face,--the dusky traces of a sleepless night hanging
heavily about her eyes. She opened her book at the play of "Romeo and
Juliet," and began to read, not silently, nor yet aloud, but in a low,
dreamy tone, in which the sounds of Nature about her, the gurgle of a
brook behind the hedge, the sighing of the winds among the pendulous
branches of the willow, the silver shiver of the lance-like leaves, the
murmurous coming and going of bees, the loving duets of nest-building
birds, all seemed to mingle and merge. As she read, a new light seemed
to illumine the page, caught from her recent experience of dramatic
personation and scenic effects, limited and unsatisfactory though that
experience had been. In fancy, she floated over the stage, as the gay
young Juliet at the masquerade; then she caught sight of young Romeo,
and, lo! his face was that of the sentimental hero of the last night's
tragedy, but ennobled by the glow and dignity of genuine passion. In
fancy, she sat on the balcony, communing with night and the stars,--the
newly-risen star of love silvering all life for her. Then, leaning her
cheek upon her hand, she poured forth Juliet's impassioned apostrophe.
When she came to the passage,--
"O Romeo, Romeo!--wherefore art thou Romeo?"
she was startled by a rustling of the leaves behind her. She paused and
looked round fearfully. A blackbird darted out of the hedge and away
over the fields. Zelma smiled at her own alarm, and read on, till she
reached the tender adjuration,--
"Romeo, doff thy name;
And for thy name, which is no part of thee,
Take all myself!"
when,--suddenly, a fragrant shower of hawthorn-blossoms fell upon the
page before her, and the next instant there lightly vaulted over the
hedge at her side the hero of her secret thoughts, the young player,
Lawrence Bury! He stood before her, flushed and smiling, with his head
uncovered, and in an attitude of respectful homage; yet, with a look and
tone of tender, unmistakable meaning, took up the words of the play,--
"I take thee at thy word.
Call me but love, and I'll be new-baptized;
Henceforth I never will be Romeo."
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