h foreign arms, did first the brutes invade;
Helen to Rome's imperial throne the British crown convey'd;
Hengist and Horsus first did plant the Saxons in this isle;
Hungar and Hubba first brought Danes, that sway'd here a long while;
At Harold had the Saxon end at Hardy Knute the Dane;
Henries the First and Second did restore the English reign;
Fourth Henry first for Lancaster did England's crown obtain;
Seventh Henry jarring Lancaster and York unites in peace;
Henry the Eighth did happily Rome's irreligion cease.
* * * * *
CHURCH OF AUSTIN FRIARS.
The church of Austin Friars is one of the most ancient Gothic remains in
the City of London. It belonged to a priory dedicated to St. Augustine,
and was founded for the friars Eremites of the order of Hippo, in
Africa, by Humphry Bohun, Earl of Hereford and Essex, 1253. A part of
this once spacious building was granted by Edward VI. to a congregation
of Germans and other strangers, who fled hither from religious
persecutions. Several successive princes have confirmed it to the Dutch,
by whom it has been used as a place of worship. J.M.C.
* * * * *
DAUPHIN OF FRANCE.
The heir apparent of the crown of France derives his title of Dauphin
from the following very singular circumstance. In 1349, Hubert, second
Count of Dauphiny, being inconsolable for the loss of his heir and only
child, who had leaped from his arms through a window of his palace at
Grenoble into the river Isere, entered into a convent of jacobins, and
ceded Dauphiny to Philip, a younger son of Philip of Valois (for 120,000
florins of gold each of the value of twenty sols or ten pence English,)
on condition that the eldest son of the king of France should be always
after styled "the Dauphin," from the name of the province thus ceded.
Charles V., grandson to Philip of Valois, was the first who bore the
title in 1530.
* * * * *
THE OLD ELEPHANT, FENCHURCH-STREET.
[Illustration: THE OLD ELEPHANT, FENCHURCH-STREET.]
Everything connected with the name of HOGARTH is interesting to the
English reader. He was apprenticed to a silversmith, and from cutting
cyphers on silver spoons, he rose to be sergeant painter to the
king--and from engraving arms and shop-bills, to painting kings and
queens--the very top of the artist's ladder. The soul-breathing impulses
of genius enabled him t
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