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idewell or to Bedlam the next day. Yet the circumstances are so laid as to inspire tenderness, notwithstanding the low style and absurd incidents; and I look upon this and _Pamela_ to be two books that will do more general mischief than the works of Lord Rochester. There is something humorous in _R. Random_, that makes me believe that the author is H. Fielding. I am horribly afraid I guess too well the writer of those abominable insipidities of _Cornelia, Leonora_, and the _Ladies' Drawing Room_." "This Richardson is a strange fellow," she said in another letter. "I heartily despise him, and eagerly read him, nay, sob over his works in a most scandalous manner." "I have now read over Richardson--he sinks horribly in his third volume (he does so in his story of _Clarissa_). When he talks of Italy, it is plain he is no better acquainted with it than he is with the kingdom of Mancomugi. He might have made his Sir Charles's amour with Clementina begin in a convent, where the pensioners sometimes take great liberties, but that such familiarity should be permitted in her father's house, is as repugnant to custom, as it would be in London for a young lady of quality to dance on the ropes at Bartholomew fair: neither does his hero behave to her in a manner suitable to his nice notions. It was impossible a discerning man should not see her passion early enough to check it, if he had really designed it. His conduct puts me in mind of some ladies I have known, who could never find out a man to be in love with them, let him do or say what he would, till he made a direct attempt, and then they were so surprised, I warrant you! Nor do I approve Sir Charles's offered compromise (as he calls it). There must be a great indifference as to religion on both sides, to make so strict a union as marriage tolerable between people of such distinct persuasions. He seems to think women have no souls, by agreeing so easily that his daughters should be educated in bigotry and idolatry.--You will perhaps think this last a hard word; yet it is not difficult to prove, that either the papists are guilty of idolatry, or the pagans never were so. You may see in Lucian (in his vindication of his images), that they did not take their statues to be real gods, but only the representations of them. The same doctrine may be found in Plutarch; and it is all the modern priests have to say in excuse for their worshipping wood and stone, though they cannot deny
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