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not merciless. Maupassant was nothing if not merciless. He would not have spared Mlle. Ange'lique. Besides, why should I libel M. Joumand? Poor--no, not poor M. Joumand! I warned myself against pitying him. One touch of 'sentimentality,' and I should be lost. M. Joumand was ridiculous. I must keep him so. But--what was his position in life? Was he a lawyer perhaps?--or the proprietor of a shop in the Rue de Rivoli? I toyed with the possibility that he kept a fan shop--that the business had once been a prosperous one, but had gone down, down, because of his infatuation for this woman to whom he was always giving fans--which she always smashed.... '"Ah monsieur, cruel and ungrateful to me though she is, I swear to you that if I had anything left to give, it should be hers; but," he stared at me with his old hopeless eyes, "the fan she broke to-night was the last--the last, monsieur--of my stock." Down below,'--but I pulled myself together, and asked pardon of my Muse. It may be that I had offended her by my fooling. Or it may be that she had a sisterly desire to shield Mlle. Ange'lique from my mordant art. Or it may be that she was bent on saving M. de Maupassant from a dangerous rivalry. Anyway, she withheld from me the inspiration I had so confidently solicited. I could not think what had led up to that scene on the terrace. I tried hard and soberly. I turned the 'chose vue' over and over in my mind, day by day, and the fan-stump over and over in my hand. But the 'chose a' figurer'--what, oh what, was that? Nightly I revisited the cafe', and sat there with an open mind--a mind wide-open to catch the idea that should drop into it like a ripe golden plum. The plum did not ripen. The mind remained wide-open for a week or more, but nothing except that phrase about the sea rustled to and fro in it. A full quarter of a century has gone by. M. Joumand's death, so far too fat was he all those years ago, may be presumed. A temper so violent as Mlle. Angelique's must surely have brought its owner to the grave, long since. But here, all unchanged, the stump of her fan is; and once more I turn it over and over in my hand, not learning its secret--no, nor even trying to, now. The chord this relic strikes in me is not one of curiosity as to that old quarrel, but (if you will forgive me) one of tenderness for my first effort to write, and for my first hopes of excellence. 'HOW SHALL I WORD IT?' 1910. It would seem that I
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