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ut it was simply not in him to understand how she loved and craved for music. She was a cloudy little creature, up and down in mood--rather like a brown lady spaniel that she had, now gay as a butterfly, now brooding as night. Any touch of harshness she took to heart fearfully. She was the strangest compound of pride and sell-disparagement; the qualities seemed mixed in her so deeply that neither she nor any one knew of which her cloudy fits were the result. Being so sensitive, she "fancied" things terribly. Things that others did to her, and thought nothing of, often seemed to her conclusive evidence that she was not loved by anybody, which was dreadfully unjust, because she wanted to love everyone--nearly. Then suddenly she would feel: "If they don't love me, I don't care. I don't want anything of anybody!" Presently, all would blow away just like a cloud, and she would love and be gay, until something fresh, perhaps not at all meant to hurt her, would again hurt her horribly. In reality, the whole household loved and admired her. But she was one of those delicate-treading beings, born with a skin too few, who--and especially in childhood--suffer from themselves in a world born with a skin too many. To Winton's extreme delight, she took to riding as a duck to water, and knew no fear on horseback. She had the best governess he could get her, the daughter of an admiral, and, therefore, in distressed circumstances; and later on, a tutor for her music, who came twice a week all the way from London--a sardonic man who cherished for her even more secret admiration than she for him. In fact, every male thing fell in love with her at least a little. Unlike most girls, she never had an epoch of awkward plainness, but grew like a flower, evenly, steadily. Winton often gazed at her with a sort of intoxication; the turn of her head, the way those perfectly shaped, wonderfully clear brown eyes would "fly," the set of her straight, round neck, the very shaping of her limbs were all such poignant reminders of what he had so loved. And yet, for all that likeness to her mother, there was a difference, both in form and character. Gyp had, as it were, an extra touch of "breeding," more chiselling in body, more fastidiousness in soul, a little more poise, a little more sheer grace; in mood, more variance, in mind, more clarity and, mixed with her sweetness, a distinct spice of scepticism which her mother had lacked. In modern times t
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