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ted knickknacks. The pipeline went through. He and Sonny got the forge set up. There was no fuel for it. A party of Marines had gone out to the woods to the east to cut wood; when they got back, they'd burn some charcoal in the pit that had been dug beside the camp. Until then, he and Sonny were drawing plans for a wooden wheel with a metal tire when Lillian came out of the headquarters hut with a clipboard under her arm. She motioned to him. "Come on over," he told her. "You can talk in front of Sonny; he won't mind. He can't hear." "Can't hear?" she echoed. "You mean--?" "That's right. Sonny's stone deaf. He didn't even hear that rifle going off. The only one of this gang that has brains enough to pour sand out of a boot with directions on the bottom of the heel, and he's a total linguistic loss." "So he isn't a half-wit, after all." "He's got an IQ close to genius level. Look at this; he never saw a wheel before yesterday; now he's designing one." [Illustration: _It's killing us it's so nice...._] Lillian's eyes widened. "So that's why Mom's so sharp about sign-talk. She's been doing it all his life." Then she remembered what she had come out to show him, and held out the clipboard. "You know how that analyzer of mine works? Well, here's what Ayesha's going to do. After breaking a sound into frequency bands instead of being photographed and projected, each band goes to an analyzer of its own, and is projected on its own screen. There'll be forty of them, each for a band of a hundred cycles, from zero to four thousand. That seems to be the Svant vocal range." The diagram passed from hand to hand during cocktail time, before dinner. Bennet Fayon had been working all day dissecting the animal they were all calling a _domsee_, a name which would stick even if and when they learned the native name. He glanced disinterestedly at the drawing, then looked again, more closely. Then he set down the drink he was holding in his other hand and studied it intently. "You know what you have here?" he asked. "This is a very close analogy to the hearing organs of that animal I was working on. The comb, as we've assumed, is the external organ. It's covered with small flaps and fissures. Back of each fissure is a long, narrow membrane; they're paired, one on each side of the comb, and from them nerves lead to clusters of small round membranes. Nerves lead from them to a complex nerve-cable at the bottom of the co
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