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his knees, his head bowed; he looked as if he were asleep, but he was not; he was thinking, at that moment, of the half-tipsy son he had left in the dining-room, of the thin, bent figure of the old man who had suddenly reappeared on that morning months ago at Sutcombe House. What a terrible tangle it was; what a mockery that he should be sitting here at Thexford Hall, while the real owner was living in poverty in London! His thoughts were almost too bitter to be borne, and the so-called Marquess crouched in his chair and stifled a groan. Thinking he was dozing, Miriam went straight to the piano and began to play. When she had finished the piece, she was startled--for she had been going over and over in her mind the scene in the smoking-room--by the grave voice of the Marquess saying, "Thank you, Miriam. That was very beautiful." He paused a moment. "My wife used to play that; it is a favourite of mine. Please go on, if you are not tired." She played a nocturne of Chopin; and he rose and stood at the fireplace, with his hands folded behind his back. As she turned and looked at him, he said, with a smile, "That is a pretty pendant, Miriam. I think you have not many jewels, have you?" She started, and turned her head away from him. "Oh, I have quite enough," she said, with a laugh. "You must remember, Lord Sutcombe, that I am a poor clergyman's fourth daughter, and that I am not accustomed to much jewellery." "You are my son's wife, my dear Miriam," he said, with a slight smile. "And a lady of your position has usually quite a quantity of jewellery. Personally, I do not attach much importance to the decrees of fashion, but I suppose that it is as well to comply with them. Has Percy ever by chance spoken to you of the family diamonds?" The blood mantled in Miriam's face for a moment; then left it paler than before. "No," she replied. "Ah!" said the Marquess. "Of course, there are some. Indeed, there are a great many, and some of them are very beautiful, very valuable; in fact, I do not think I should exaggerate if I were to say that some of the stones are priceless; not only in a monetary sense, but because of their size and quality. There are, too, historic associations," he added, thoughtfully. There was a pause; Miriam drooped over the piano, touching a note here and there softly. "Yes, some of them are historic," resumed the Marquess meditatively. "There is a necklace which belonged to Mada
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