6-14;
marries Frau Wagner, 8; his death, 14

Geyer, goldsmith at Eisleben, 11, 17

Glasenapps _Life of Wagner_, 8, 16, 19, 39, 66, 167

Gluck, 416, 417;
his _Iphigenia in Aulis_ overture revised by Wagner, 209, 219

Goethe, J.W. von, _Die Laune des Verliebten_, 35

Goetterdaemmerung. _See_ Dusk of the Gods

Gottfried von Strassburg, _Tristan_, 238

Gozzi, _La Donna Serpente_, 60

Habeneck, F.A., 69, 70

Halle, Sir Charles, 64, 73, 327

Handel, G.F., 11, 330, 331, 390, 416;
the "Horse and his Rider" chorus, 371, 372;
_Israel in Egypt_, 377

Hanslick, Eduard, 164

_Happy Evening, A_, 213

Harris, Sir Augustus, 346

Hauser, Franz, 49

Heine, Heinrich, 64, 66, 70, 76-78, 94, 126, 205, 206

Heubner, Otto, 196

_Hochzeit Die_, 45, 47

Hoffmann, E.T.A., 30

_Huldigungsmarsch_, 59

Jensen, Adolf, 71, 418

_Jesus of Nazareth_, 196

Jews, Wagner and the, 49, 50, 57, 217-219

Joly, Antenor, 69, 74

_Judaism in Music_, 31, 50, 134, 217-219

_Kaisermarsch_, 59

Kittl, Friedrich, 45

Laube, Heinrich, 51, 70

Lehrs, F. Siegfried, 72, 82, 128

Leitmotiv, discussion of the, 170, 356, 357

Lewald, August, 75

_Liebesverbot, Das_, 51, 53, 56, 72, 74, 86, 137

Liszt, Cosima. _See_ Wagner, Cosima

Liszt, Franz, 71, 128, 156, 237, 238, 348, 378, 388;
his first acquaintance with Wagner, 82, 83;
helps him to escape to Zurich, 136, 194;
produces _Tannhaueser_ at Weimar, 164;
sends him to Paris, 194;
his generosity and friendship, 195, 196, 199, 202, 208, 418;
produces _Lohengrin_, 200, 201, 210

_Lohengrin_, 72, 82, 128, 137, 196, 197, 219, 332, 341, 358, 375;
analysis and criticism, 165-192;
the leitmotiv first introduced, 170;
produced by Liszt at Weimar, 200, 201, 210

_Love-feast of the Apostles, The_, 38, 126

Ludwig II, King, 239, 319, 321, 322, 327-329, 395, 409, 410, 413

Luettichau, von, 76, 77, 79, 80, 122, 123, 125

Lytton, Bulwer, _Rienzi_, 55, 84

Marschner, Heinrich August, 61, 62, 116, 150, 178, 187;
his _Adolph von Nassau_, 135

_Mastersingers, The_, 109, 111, 179, 279, 319-321, 325, 333,
341, 344, 358, 387, 388, 395, 398;
the story, 280, 281;
the influence of Nuremberg, 282, 283;
the overture, 284-288;
analysis and criticism, 288-318;
produced at Munich, 321

Mendelssohn, Felix, 33, 49, 57, 58, 73, 126, 364, 372, 407, 418;
_Midsummer Night's Dream_ overture, 61;
_Hebrides_, 112;
his comment on _Tannhaeuser_, 163

Meyerbeer