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The Project Gutenberg EBook of Richard Wagner, by John F. Runciman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Richard Wagner Composer of Operas Author: John F. Runciman Release Date: August 4, 2005 [EBook #16431] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK RICHARD WAGNER *** Produced by Steven Gibbs and the Online Distributed Proofreading Team at http://www.pgdp.net RICHARD WAGNER COMPOSER OF OPERAS BY JOHN F. RUNCIMAN LONDON G. BELL AND SONS, LTD. 1913 TO HAROLD HODGE INTRODUCTION It is now one hundred years since Richard Wagner was born, thirty since he died. In every land he has his monument in one shape or another; his music-dramas can be heard all the world over; all the ancient controversies as to their merits or demerits have died down. The Bayreuth theatre, the outward and visible sign of his inner greatness, has risen to the point of its most splendid glory and lapsed into the limbo of tenth-rate things. Every one who really cares for the art of music, and especially the art of opera (of which art music is by far the most important factor), has had ample time and opportunity for making up his mind. It is, therefore, high time to simplify and to cease from elaborating. In this book will be found, I trust, no special pleading, no defence or extenuation, no preposterous eulogy on the one hand, and on the other no vampire work, but a plain and concise attempt to depict the mighty artist as he lived and to describe his artistic achievement as it is. We have all had time to consider and to sort out (so to say) the reams that have been written and printed about Wagner: the bulk of it has had to be thrown on the scrap-heap: what there was of value has, I hope, been utilised. An author who plans a book on an artist or an artistic question must be wary, especially at the beginning of his adventure. To start away with a theory, whether new or old, and to yield to the seductive temptation to convince humanity of its truth--this is to lay a trap and to take the path that leads straight into it. Theories should be kept for scientific matters. A work proving that parallel straight lines never
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