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What work we set him to. Laurel, laurel, yes; He did what we bade him do. Praise, and never a whispered hint but the fight he fought was good; Never a word that the blood on his sword was his country's own heart's-blood. "A flag for the soldier's bier Who dies that his land may live; O, banners, banners here, That he doubt not nor misgive! That he heed not from the tomb The evil days draw near When the nation, robed in gloom, With its faithless past shall strive. Let him never dream that his bullet's scream went wide of its island mark, Home to the heart of his darling land where she stumbled and sinned in the dark." When I say that every true poet must have a philosophy, I do not mean that he must be what is commonly called a philosophical poet; from such we steer clear. The philosophy in a poem must be like the iron in the blood. It is the iron that gives color and vigor to the blood. Reduce it and we become an anaemic and feeble race. Much of the popular poetry is anaemic in this respect. There is no virile thought in it. All of which amounts to saying that there is always a great nature back of a great poem. The various forms of verse are skillfully used by an increasing number of educated persons, but the number of true poets is not increasing. Quite the contrary, I fear. The spirit of the times in which we live does not favor meditation and absorption in the basic things out of which great poetry arises. "The world is too much with us." Yet we need not be too much discouraged. England has produced Masefield, and we have produced John Russell McCarthy, who has written the best nature poetry since Emerson. The genius of a race does not repeat. We shall never again produce poets of the type of those that are gone, and we should not want to. All we may hope for is to produce poets as original and characteristic and genuine as those of the past--poets who as truly express the spirit of their time, as the greater poets did of theirs--not Emerson and Whitman over again, but a wide departure from their types. Speaking of Whitman, may we not affirm that it is his tremendous and impassioned philosophy suffusing his work, as the blood suffuses the body, that keeps "Leaves of Grass" forever fresh? We do not go to Whitman for pretty flowers of poesy, al
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