anish fields;
In power I shall perform deeds: you'll scarcely trust your eyes."
Gerlinde immediately informs her son Hartmut of Gudrun's decision; but
when he hastens to the spot to embrace her, she declines, saying:
"'O King Hartmut, leave this yet undone!
If people saw this action, it would be your dishonor;
I am a lowly servant, how would it be befitting,
Were a mighty king to embrace me or to touch me?'"
Overjoyed, Hartmut orders Gudrun and her maidens to be clothed in costly
garments and to be regaled royally; and for the first time in fourteen
years Queen Gudrun laughs merrily among her Hegeling sisters, who are
overcome by the sudden change of events. The report of Gudrun's
merriment causes Gerlinde a presentiment of evil; she warns her son, but
he has no eyes or ears but for Gudrun's charms. When the maidens retire
for the first time in fourteen years to a soft couch, Gudrun reveals to
them the fact that help and salvation are near, and promises "buroughs
and acres" to her who will first announce to her the morning which shall
bring to them the day of freedom and of revenge.
Meanwhile, Herwig and Ortwin return to their host and relate to the
companions Gudrun's and Hildeburg's fate. Old Wate proposes to attack
the Normans without delay, and "to wash red the white garments which
their white hands had washed in the sea." "Before dawn they shall stand
as guests before King Ludwig's fortress." And, indeed, at the rising of
the morning star, one of Gudrun's maidens sees from the window the
fields shining with arms and the sea filled with sails. Quickly she
awakes Gudrun, while at the same time the king's warders cry from the
battlements:
"'Get up, ye proud heroes, get up, hosts, to your arms:
Brave Normans, all too long, methinks, have you slept.'"
The masterly description of the terrific battle, which is worthy of the
best traditions of the German epic, does not belong to this work. Yet
the gathering of the Hegelings around Queen Hilde's banner, King
Herwig's bride standing high on the battlement of the tower, while King
Hartmut and the Norman heroes march under the arch of the gate are
objective pictures showing that the womanly element is the pivot upon
which the story turns.
When old King Ludwig is slain by Herwig, the she-wolf, Gerlinde, sends
out a murderer to kill Gudrun, but Hartmut generously saves her mindful
of the beloved one even in t
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