The Project Gutenberg EBook of Wau-nan-gee or the Massacre at Chicago, by
Major John Richardson
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Title: Wau-nan-gee or the Massacre at Chicago
A Romance of the American Revolution
Author: Major John Richardson
Release Date: March 23, 2010 [EBook #31745]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK WAU-NAN-GEE, MASSACRE AT CHICAGO ***
Produced by Gardner Buchanan
WAU-NAN-GEE
OR,
THE MASSACRE AT CHICAGO,
A ROMANCE OF THE AMERICAN REVOLUTION,
By MAJOR RICHARDSON,
AUTHOR OF "WACOUSTA," "HARDSCRABBLE," "ECARTE,"
"JACK BRAG IN SPAIN," "TECUMSEH," &c.
NEW YORK:
H. LONG AND BROTHER,
No. 43 ANN STREET.
Entered according to Act of Congress, in the year One Thousand
Eight Hundred and Fifty-Two,
BY H. LONG AND BROTHER,
In the Clerk's Office of the District Court of the United States
for the Southern District of New York
PREFATORY INSCRIPTION.
My Publishers ask of me a couple of pages of matter to precede this
Tale. It is scarcely necessary to state, that the whole of the text
approaches so nearly to Historical fact, that any other preface
than that which admits the introduction of but one strictly fictitious
character--Maria Heywood--in the book, must be, in a great degree,
supererogatory. Yet I gladly avail myself of this pleasing opportunity
of manifesting the deep interest and sympathy with which I have
ever regarded those brave spirits--heroes not less than heroines--who
participated in the trials of that brief but horrid epoch.
How can I better exemplify this than by inscribing to the descendants
of the venerable founder of the City of Chicago--a prominent actor
in the scene--as well as to the gallant military survivors of the
Massacre, if any yet exist, the fruits of that interest and that
sympathy.
Dedications and Inscriptions have almost grown out of fashion--at
least they are not so general in the present century as in the days
of Dryden; but where, through them, an opportunity for the expression
of esteem and sympathy is presented, an Author may gladly avail
himself of the occasion to show that no common interest influenced
the tracings of his pen--not t
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