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style,' by the imitation of accepted models, and who have, therefore, possessed it only by right of appropriation. Boswell has a discussion as to the writers who may have served Johnson in this capacity. But, in fact, Johnson, like all other men of strong idiosyncrasy, formed his style as he formed his legs. The peculiarities of his limbs were in some degree the result of conscious efforts in walking, swimming, and 'buffeting with his books.' This development was doubtless more fully determined by the constitution which he brought into the world, and the circumstances under which he was brought up. And even that queer Johnsonese, which Macaulay supposes him to have adopted in accordance with a more definite literary theory, will probably appear to be the natural expression of certain innate tendencies, and of the mental atmosphere which he breathed from youth. To appreciate fairly the strangely cumbrous form of his written speech, we must penetrate more deeply than may at first sight seem necessary beneath the outer rind of this literary Behemoth. The difficulty of such spiritual dissection is, indeed, very great; but some little light may be thrown upon the subject by following out such indications as we possess. The talking Johnson is sufficiently familiar to us. So far as Boswell needs an interpreter, Carlyle has done all that can be done. He has concentrated and explained what is diffused, and often unconsciously indicated in Boswell's pages. When reading Boswell, we are half ashamed of his power over our sympathies. It is like turning over a portfolio of sketches, caricatured, inadequate, and each giving only some imperfect aspect of the original. Macaulay's smart paradoxes only increase our perplexity by throwing the superficial contrasts into stronger relief. Carlyle, with true imaginative insight, gives us at once the essence of Johnson; he brings before our eyes the luminous body of which we had previously been conscious only by a series of imperfect images refracted through a number of distorting media. To render such a service effectually is the highest triumph of criticism; and it would be impertinent to say again in feebler language what Carlyle has expressed so forcibly. We may, however, recall certain general conclusions by way of preface to the problem which he has not expressly considered, how far Johnson succeeded in expressing himself through his writings. The world, as Carlyle sees it, is composed
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