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remained unchallenged until recent years, and whether this be a tribute to the capacity of del Mazo or a reflection upon the capacity of critics, is a question lying beyond the scope of this little book. But it is not difficult to understand that the renown of Velazquez was on the increase for a few years after his death, and that Mazo, who was clever and poorly paid, and had a sincere respect for his father-in-law, should have remembered that there is no greater flattery than imitation. IV A RETROSPECT It is in no spirit of extravagance that one ventures to say that the life of Velazquez was a long and tragic struggle against surroundings detrimental to the full and natural expression of his genius, nor is it surprising that the people who had followed his career with indifference saw very little matter for comment when he died. There were a few useless and pompous ceremonies associated with his obsequies, and Spain went on with the daily task, the common round, unconscious of her loss. So many material possessions were passing from hands too weak to hold or to administer them that the death of an artist could not be noticed. ===================================================================== PLATE VII.--DONNA MARIANA OF AUSTRIA This picture was brought from the Escorial to the Prado in 1845. The lady was the second wife of Philip IV., and would have been the wife of Don Balthasar Carlos had he lived. [Illustration: Plate VII.] ===================================================================== Fair-minded critics may hesitate to say with Spain's enemies that civilisation ends with the Pyrenees, but it is certain that the Spanish attitude towards life has differed from that of other countries to an extent that has left indelible impressions upon art and literature. Velazquez carried a little of the Andalusian sun to Castile, but the heavy cloud that settled upon the Spanish court speedily obscured it. Life for the painter was an affair of constant struggle against financial and social difficulties, of endless work for unresponsive masters; and the labour was not lightened by any of the associations that helped the great masters of the Italian School who had some share of light and honour. The funereal pomp of the Spanish court; the strange climatic conditions of Madrid, where you may pass in a moment from a blaze of sun that scorches to a blast of icy wind that strikes a fatal blow
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