FREE BOOKS

Author's List




PREV.   NEXT  
|<   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250  
251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   >>   >|  
s of mankind (_including the Christian Saviour_, as we shall hereafter see) one account, however, makes him a _crucified Saviour_.[191:4] It is certain, however, that the ancients who honored him as their Lord and Saviour, celebrated, annually, a feast in commemoration of his death. An image, intended as a representation of their Lord, was laid on a bed or bier, and bewailed in mournful ditties--just as the Roman Catholics do at the present day in their "Good Friday" mass. During this ceremony the priest murmured: "_Trust ye in your Lord, for the pains which he endured, our salvation have procured._"[191:5] The Rev. Dr. Parkhurst, in his "Hebrew Lexicon," after referring to what we have just stated above, says: "I find myself _obliged_ to refer _Tammuz_ to that class of idols which were originally designed to represent the promised Saviour, the Desire of all Nations. His other name, _Adonis_, is almost the very Hebrew _Adoni_ or _Lord_, a well-known title of Christ."[191:6] _Prometheus_ was a crucified Saviour. He was "an immortal god, a friend of the human race, _who does not shrink even from sacrificing himself for their salvation_."[192:1] The tragedy of the crucifixion of Prometheus, written by AEschylus, was acted in Athens five hundred years before the Christian Era, and is by many considered to be the most ancient dramatic poem now in existence. The plot was derived from materials even at that time of an infinitely remote antiquity. Nothing was ever so exquisitely calculated to work upon the feelings of the spectators. No author ever displayed greater powers of poetry, with equal strength of judgment, in supporting through the piece the august character of the _Divine Sufferer_. The spectators themselves were unconsciously made a party to the interest of the scene: its hero was their friend, their benefactor, their creator, and their _Saviour_; his wrongs were incurred in their quarrel--_his sorrows were endured for their salvation_; "he was wounded for their transgressions, and bruised for their iniquities; the chastisement of their peace was upon him, and by his stripes they were healed;" "he was oppressed and afflicted, yet he opened not his mouth." The majesty of his silence, whilst the ministers of an offended god were _nailing him by the hands and feet to Mount Caucasus_,[192:2] could be only equaled by the modesty with which he relates, _while hanging with
PREV.   NEXT  
|<   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250  
251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   >>   >|  



Top keywords:

Saviour

 

salvation

 

Prometheus

 

endured

 

spectators

 

crucified

 
Hebrew
 
friend
 

Christian

 

strength


calculated

 

feelings

 

displayed

 

powers

 

exquisitely

 

poetry

 

greater

 

author

 

ancient

 
considered

hundred

 

AEschylus

 

Athens

 

judgment

 

dramatic

 

infinitely

 

remote

 

antiquity

 
Nothing
 

materials


derived

 

existence

 

unconsciously

 

silence

 

majesty

 
whilst
 

ministers

 

offended

 

opened

 

healed


oppressed

 
afflicted
 

nailing

 

modesty

 

equaled

 

relates

 
hanging
 

Caucasus

 

stripes

 
written