ntern, but only lower transepts projecting from
a continuous nave and choir, whose roof-line, within and without, runs
uninterruptedly from east to west. The only tower is a small octagonal
one with a spire at the north-west corner. The peculiarity within is
that, while the arcade and clerestory are still late Gothic, the
triforium between them has run off into _Renaissance_. The reason seems
clear. The new fashion affected details long before it touched the great
lines of the building. The triforium at this date is, as at Saint
German, simply a matter of detail, an arrangement of panelling and the
like. That stage, therefore, was naturally touched by the intruding
foes, while the main features, like the pillars and pier-arches, are as
yet not all affected. At Saint Martin the windows are some of them good
Flamboyant, while some are a kind of very bad Perpendicular. From
others, as at Saint German, the tracery has been cut away altogether.
This church, smaller than Saint German, of a less effective outline, and
standing in the lower part of the town, has nothing like the same grand
effect as the two towers of Saint German on the hill. But it has, with
its tall clerestory, a stately look from some approaches, and it has its
lesson to tell in the history of art.
One is surprised to hear that in the old days Argentan had but a single
_cure_, whose sphere of usefulness took in both Saint German and Saint
Martin. One fully expects to find that such a church as Saint German was
collegiate. But this is one of the characteristic features of French
architecture. We are used in England to great town churches, which never
were more than parish churches, covering a good deal more ground than
Saint German's. But we are not used, save at Shoreham and Bristol, to
see them built, like Saint German, so thoroughly on the type of churches
of higher rank. Boston, Newark, Saint Michael's at Coventry, Trinity
Church at Hull, are as grand in their way as Saint German at Argentan,
only it is in quite another way.
There are a few other things to see at Argentan. On the slope of the
hill is a good late Gothic house, with two arches of street arcade in
front. Add a little more, and we should have the arcade of Carentan; add
a great deal more, and we should have the arcades of Bern. Those who
seek for it will also find a mediaeval bridge of two pointed arches over
one of the branches of the Orne. And it is grievous when, after moving
from Argen
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