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method of losing breadth and force of effect. One is ready to cry, "Do lapse for a moment into dogmatism." Yet it ought to be added that Sidgwick's subtlety is always restrained by practical good sense, as well as by the desire to reconcile opposite views. His arguments, though they often turn on minute distinctions, are not bits of fine-drawn ingenuity, but have weight and substance in them.[52] One book of his which has not yet (December 1902) been published, but which I have had the privilege of reading in proof, displays his constructive power in another light. It is a course of lectures on the development of political institutions in Europe from early times down to our own. Here, as he is dealing with concrete matter, the treatment is more broad, and the line of exposition and argument more easy to follow, than in the treatises already referred to. It is a masterly piece of work, and reveals a wider range of historical knowledge and a more complete mastery of historical method than had been shown in his earlier books, or indeed than some of his friends had known him to possess. The tendency to analysis rather than to construction, the abstention from the deliverance of doctrines easy to comprehend and repeat, which belong to his writings on ethics and economics, do not impair the worth of his literary criticisms. In this field his fine perception and discriminative taste had full scope. He was an incessant reader, especially of poetry and novels, with a retentive memory for poetry, as well as a finely modulated and expressive voice in reciting it. His literary judgments had less of a creative quality, if the expression be permissible, than Matthew Arnold's, but are not otherwise inferior to those of that brilliant though sometimes slightly prejudiced critic. No one of his contemporaries has surpassed Sidgwick in catholicity and reasonableness, in the power of delicate appreciation, or in an exquisite precision of expression. His essay on Arthur Hugh Clough, prefixed to the latest edition of Clough's collected poems, is a good specimen of this side of his talent. Clough was one of his favourites, and has indeed been called the pet poet of University men. Sidgwick's literary essays, which appeared occasionally in magazines, were few, but they well deserve to be collected and republished, for this age of ours, though largely occupied in talking about literature, has produced comparatively little criticism of the f
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