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ins, the relation of their ranges to one another, or their rocks, or the trees and flowers of their upper regions, the prospects their summits command, the scenes of beauty in their glens, or beside their wood-embosomed lakes, all, in fact, which the mountain lover delights in, and which are to him a part of the mountain ardour, of the passion for pure nature unsullied by the presence of man--all this was cold to him. But as soon as a touch of human life fell like a sunbeam across the landscape, all became warm and lovable. It was the same with art. With an historian's delight in the creative ages and their work, he had a fondness for painting and sculpture, and could so describe what he saw in the galleries and churches of Italy as to bring out meanings one had not perceived before. But here, too, it was the human element that fascinated him. Technical merits, though he observed them, as he observed most things, were forgotten; he dwelt only on what the picture expressed or revealed. Pure landscape painting gave him little pleasure. It seems a truism to say that one who writes history ought to care for all that bears upon man in the present in order that he may comprehend what bore upon him in the past. This roaring loom of Time, these complex physical and moral forces playing round us, and driving us hither and thither by such a strange and intricate interlacement of movements that we seem to perceive no more than what is next us, and are unable to say whither we are tending, ought to be always before the historian's mind. But there are few who have tried, as Green tried, to follow every flash of the shuttle, and to discover a direction and a relation amidst apparent confusion, for there are few who have taken so wide a view of the historian's functions, and have so distinctly set before them as their object the comprehension and realisation and description of the whole field of bygone human life. The Past was all present to him in this sense, that he saw and felt in it not only those large events which annalists or state papers have recorded, but the everyday life of the people, their ideas, their habits, their external surroundings. And the Present was always as if past to him in this sense, that in spite of his strong political feelings, he looked at it with the eye of a philosophical observer, trying to disengage principles from details, permanent tendencies from passing outbursts. His imagination visualised,
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