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ing idea of height and space combined, than any other prospect with which I am acquainted; though not on the whole so imposing as the first glimpse of the Swiss side of the Simplon. The eye is carried directly over two or three lower peaks of the Col, grinning with snow drifts, to the great range of Alps south-west of Mont Cenis, which appear hanging in mid air like the domains of a cloud-king; their jagged and glittering tops distinctly defined, but their bases melting into the hazy abyss which the plain of Piedmont presents. As far as I can estimate, we were about five hours in performing the ascent from Tende. Two more hours took us to Limone, at a jog trot, down a zigzag road, less abrupt in its turns than that on the other side. At Limone the post-road to Turin begins. The post-house is a tolerably good inn: the douaniers, the most troublesome we had yet met with, refusing to compound for the customary donation, and asking for money when their search was ended. We had, therefore, the sweet revenge of first watching them as pick-pockets, and next refusing them as beggars. To Coni fifteen miles; the first seven or eight through a beautiful valley fringed with chestnut woods; every thing, however, appeared diminutive, as our eyes had not yet recovered the strain which the enormous scenery of the Col had occasioned. In this fine open valley, goitres abound as much as near Sion; this malady, therefore, cannot be attributed, as some think, to the stagnation of air. Coni, a neat arcaded town, deserves mention for the beauty of its situation, and the fine Alpine panorama which it commands. The glittering pinnacle of Monte Viso, is the most striking feature through this and the following day's journey. June 5.--Breakfasted at Savigliano, a large flourishing town; slept at Carignan, and reached Turin to breakfast next day. June 6.--The best of Turin is seen in the general survey of the town and its princely environs, particularly on the Moncaliere side. Our principal amusement was derived from Zuchelli's masterly performance at the Opera Buffa. The plot of the piece turned partly on the discomfitures and discontents of a supercilious English dandy, which part this singer performed with an immoveable countenance, which kept us in a roar of laughter, his grave rich toned bass voice giving a double effect to the solemn absurdity of the character. For the sake of avoiding open offence to our countrymen, the hero was sty
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