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hing is off; he will not fly to-day;" And forth we wandered, some in rare ill-humour, But not, oh, not the bard. Yet this I say-- There are two kinds of courage: one's a boomer Avid of gold and glory; this is A, Crowned with a palm, and in her hands I see Sheaves of press cuttings. There is also B. Not venturesome, this last, to brave the billows, To beard the panther in his hidden lair, To probe the epiderms of armadillos, Nor execute wild cart-wheels in the air; But who shall say how much Britannia still owes To B, the kind of courage that can bear Dauntless to wait, whate'er the skies portend, (Having paid entrance) to the bitter end? The heavenly hero in his suit of leather Soars through Olympus with the world beneath Sometimes, and sometimes, owing to the weather, Scratches his fixtures in the tempest's teeth. Shall the high gods, who gaze on both together, Count him the nobler, or confer their wreath On the brave bull-dog bard, who risks his thews Standing about all day in thin-soled shoes? EVOE. * * * * * [Illustration: "HERE'S ONE I'M SURE YOU'LL LIKE, TREVOR." "WHAT IS IT?" "_ROBINSON CRUSOE_." "IN WHAT LANGUAGE?"] * * * * * OUR BOOKING-OFFICE. (_BY MR. PUNCH'S STAFF OF LEARNED CLERKS._) Just as one may say of certain novelists that they write at the top of their voices, so, I think, one might describe Miss VIOLA MEYNELL as writing in a whisper. This certainly is the effect that _Modern Lovers_ (SECKER) produced upon me. The gentle method of it invested the story--which of itself is a very slight thing--with an odd significance almost impossible to communicate in criticism; but the reading of a few pages will show you what I mean. The title is apt enough, for the tale is about nothing but love, as it affects a group of five young people, three men and two girls. Of the girls, who are sisters, _Effie Rutherglen_ is the more important and detailed figure. _Effie_, in the time before the story opens, had an affair with _Oliver Bligh_; then, summoned North to live with her futile and uncomprehending parents, she fell (as did her sister _Milly_ and most of the local spinsters) under the fascination of one _Clive Maxwell_, who was an author and had appealing eyes and obviously a way with him. Then _Oliver_ turned up again, and poor _Effie_
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