l not supply to every generation one
of these well-appointed knights, but every collection of men furnishes
some example of the class; and the politics of this country, and the
trade of every town, are controlled by these hardy and irresponsible
doers, who have invention to take the lead, and a broad sympathy which
puts them in fellowship with crowds, and makes their action popular.

The manners of this class are observed and caught with devotion by men
of taste. The association of these masters with each other and with men
intelligent of their merits, is mutually agreeable and stimulating. The
good forms, the happiest expressions of each, are repeated and adopted.
By swift consent everything superfluous is dropped, everything graceful
is renewed. Fine manners show themselves formidable to the uncultivated
man. They are a subtler science of defence to parry and intimidate; but
once matched by the skill of the other party, they drop the point of the
sword,--points and fences disappear, and the youth finds himself in a
more transparent atmosphere, wherein life is a less troublesome game,
and not a misunderstanding rises between the players. Manners aim to
facilitate life, to get rid of impediments and bring the man pure
to energize. They aid our dealing and conversation as a railway aids
travelling, by getting rid of all avoidable obstructions of the road and
leaving nothing to be conquered but pure space. These forms very soon
become fixed, and a fine sense of propriety is cultivated with the more
heed that it becomes a badge of social and civil distinctions. Thus
grows up Fashion, an equivocal semblance, the most puissant, the most
fantastic and frivolous, the most feared and followed, and which morals
and violence assault in vain.

There exists a strict relation between the class of power and the
exclusive and polished circles. The last are always filled or filling
from the first. The strong men usually give some allowance even to the
petulances of fashion, for that affinity they find in it. Napoleon,
child of the revolution, destroyer of the old noblesse, never ceased to
court the Faubourg St. Germain; doubtless with the feeling that fashion
is a homage to men of his stamp. Fashion, though in a strange way,
represents all manly virtue. It is virtue gone to seed: it is a kind of
posthumous honor. It does not often caress the great, but the children
of the great: it is a hall of the Past. It usually sets its face agains