her faults, but never mends,
Because she's honest, and the best of friends.
Or her, whose life the Church and scandal share,
For ever in a passion, or a prayer.
Or her, who laughs at hell, but (like her Grace)
Cries, "Ah! how charming, if there's no such place!"
Or who in sweet vicissitude appears
Of mirth and opium, ratafie and tears,
The daily anodyne, and nightly draught,
To kill those foes to fair ones, time and thought.
Woman and fool are two hard things to hit;
For true no-meaning puzzles more than wit.
But what are these to great Atossa's mind?
Scarce once herself, by turns all womankind!
Who, with herself, or others, from her birth
Finds all her life one warfare upon earth:
Shines in exposing knaves, and painting fools,
Yet is, whate'er she hates and ridicules.
No thought advances, but her eddy brain
Whisks it about, and down it goes again.
Full sixty years the world has been her trade,
The wisest fool much time has ever made
From loveless youth to unrespected age,
No passion gratified except her rage.
So much the fury still outran the wit,
The pleasure missed her, and the scandal hit.
Who breaks with her, provokes revenge from hell,
But he's a bolder man who dares be well.
Her every turn with violence pursued,
Nor more a storm her hate than gratitude:
To that each passion turns, or soon or late;
Love, if it makes her yield, must make her hate:
Superiors? death! and equals? what a curse!
But an inferior not dependent? worse.
Offend her, and she knows not to forgive;
Oblige her, and she'll hate you while you live:
But die, and she'll adore you--then the bust
And temple rise--then fall again to dust.
Last night, her lord was all that's good and great;
A knave this morning, and his will a cheat.
Strange! by the means defeated of the ends,
By spirit robbed of power, by warmth of friend
By wealth of followers! without one distress
Sick of herself through very selfishness!
Atossa, cursed with every granted prayer,
Childless with all her children, wants an heir.
To heirs unknown descends the unguarded store,
Or wanders, Heaven-directed, to the poor.
Pictures like these, dear madam, to design,
Asks no firm hand, and no unerring line;
Some wandering touches, some reflected light,
Some flying stroke alone can hit 'em right:
For how should equal colours do the knack?
Chameleons who can paint in white and black?
"Yet Chloe sure was formed without a spot"--
Nature in her then erred not, but forgot