geres had the cross of the Legion of honor, and Elie Magus bought his
pictures at two and three hundred francs apiece, so he gave himself the
airs of a fine artist.

"Business is very bad," replied Elie. "You artists have such
pretensions! You talk of two hundred francs when you haven't put six
sous' worth of color on a canvas. However, you are a good fellow, I'll
say that. You are steady; and I've come to put a good bit of business in
your way."

"Timeo Danaos et dona ferentes," said Fougeres. "Do you know Latin?"

"No."

"Well, it means that the Greeks never proposed a good bit of business
to the Trojans without getting their fair share of it. In the olden time
they used to say, 'Take my horse.' Now we say, 'Take my bear.' Well,
what do you want, Ulysses-Lagingeole-Elie Magus?"

These words will give an idea of the mildness and wit with which
Fougeres employed what painters call studio fun.

"Well, I don't deny that you are to paint me two pictures for nothing."

"Oh! oh!"

"I'll leave you to do it, or not; I don't ask it. But you're an honest
man."

"Come, out with it!"

"Well, I'm prepared to bring you a father, mother, and only daughter."

"All for me?"

"Yes--they want their portraits taken. These bourgeois--they are crazy
about art--have never dared to enter a studio. The girl has a 'dot' of a
hundred thousand francs. You can paint all three,--perhaps they'll turn
out family portraits."

And with that the old Dutch log of wood who passed for a man and who was
called Elie Magus, interrupted himself to laugh an uncanny laugh which
frightened the painter. He fancied he heard Mephistopheles talking
marriage.

"Portraits bring five hundred francs apiece," went on Elie; "so you can
very well afford to paint me three pictures."

"True for you!" cried Fougeres, gleefully.

"And if you marry the girl, you won't forget me."

"Marry! I?" cried Pierre Grassou,--"I, who have a habit of sleeping
alone; and get up at cock-crow, and all my life arranged--"

"One hundred thousand francs," said Magus, "and a quiet girl, full of
golden tones, as you call 'em, like a Titian."

"What class of people are they?"

"Retired merchants; just now in love with art; have a country-house at
Ville d'Avray, and ten or twelve thousand francs a year."

"What business did they do?"

"Bottles."

"Now don't say that word; it makes me think of corks and sets my teeth
on edge."

"Am I to bring them?"

"Three portraits