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The Project Gutenberg EBook of Pierre Grassou, by Honore de Balzac This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Pierre Grassou Author: Honore de Balzac Translator: Katharine Prescott Wormeley Release Date: March, 1998 [Etext #1230] Posting Date: February 21, 2010 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK PIERRE GRASSOU *** Produced by John Bickers and Dagny PIERRE GRASSOU By Honore De Balzac Translated by Katharine Prescott Wormeley Dedication To The Lieutenant-Colonel of Artillery, Periollas, As a Testimony of the Affectionate Esteem of the Author, De Balzac PIERRE GRASSOU Whenever you have gone to take a serious look at the exhibition of works of sculpture and painting, such as it has been since the revolution of 1830, have you not been seized by a sense of uneasiness, weariness, sadness, at the sight of those long and over-crowded galleries? Since 1830, the true Salon no longer exists. The Louvre has again been taken by assault,--this time by a populace of artists who have maintained themselves in it. In other days, when the Salon presented only the choicest works of art, it conferred the highest honor on the creations there exhibited. Among the two hundred selected paintings, the public could still choose: a crown was awarded to the masterpiece by hands unseen. Eager, impassioned discussions arose about some picture. The abuse showered on Delacroix, on Ingres, contributed no less to their fame than the praises and fanaticism of their adherents. To-day, neither the crowd nor the criticism grows impassioned about the products of that bazaar. Forced to make the selection for itself, which in former days the examining jury made for it, the attention of the public is soon wearied and the exhibition closes. Before the year 1817 the pictures admitted never went beyond the first two columns of the long gallery of the old masters; but in that year, to the great astonishment of the public, they filled the whole space. Historical, high-art, genre paintings, easel pictures, landscapes, flowers, animals, and water-colors,--these eight specialties could surely not offer more than twenty pictures i
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