FREE BOOKS

Author's List




PREV.   NEXT  
|<   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36  
37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   >>   >|  
, now, when she doubles over at the hips--who ever heard it out of Galway? She saves her hand, too. She's at her best in the second act. She's really MacConnell's poetic motif, you see; makes the whole thing a fairy tale." The second act opened before Philly Doyle's underground still, with Peggy and her battered donkey come in to smuggle a load of potheen across the bog, and to bring Philly word of what was doing in the world without, and of what was happening along the roadsides and ditches with the first gleam of fine weather. Alexander, annoyed by Mainhall's sighs and exclamations, watched her with keen, half-skeptical interest. As Mainhall had said, she was the second act; the plot and feeling alike depended upon her lightness of foot, her lightness of touch, upon the shrewdness and deft fancifulness that played alternately, and sometimes together, in her mirthful brown eyes. When she began to dance, by way of showing the gossoons what she had seen in the fairy rings at night, the house broke into a prolonged uproar. After her dance she withdrew from the dialogue and retreated to the ditch wall back of Philly's burrow, where she sat singing "The Rising of the Moon" and making a wreath of primroses for her donkey. When the act was over Alexander and Mainhall strolled out into the corridor. They met a good many acquaintances; Mainhall, indeed, knew almost every one, and he babbled on incontinently, screwing his small head about over his high collar. Presently he hailed a tall, bearded man, grim-browed and rather battered-looking, who had his opera cloak on his arm and his hat in his hand, and who seemed to be on the point of leaving the theatre. "MacConnell, let me introduce Mr. Bartley Alexander. I say! It's going famously to-night, Mac. And what an audience! You'll never do anything like this again, mark me. A man writes to the top of his bent only once." The playwright gave Mainhall a curious look out of his deep-set faded eyes and made a wry face. "And have I done anything so fool as that, now?" he asked. "That's what I was saying," Mainhall lounged a little nearer and dropped into a tone even more conspicuously confidential. "And you'll never bring Hilda out like this again. Dear me, Mac, the girl couldn't possibly be better, you know." MacConnell grunted. "She'll do well enough if she keeps her pace and doesn't go off on us in the middle of the season, as she's more than like to do." He nodded c
PREV.   NEXT  
|<   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36  
37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   >>   >|  



Top keywords:

Mainhall

 

Alexander

 
MacConnell
 
Philly
 
lightness
 

donkey

 

battered

 

Bartley

 

middle

 

introduce


leaving

 

theatre

 

season

 

famously

 

collar

 
Presently
 

incontinently

 
screwing
 

nodded

 
hailed

bearded

 

browed

 
babbled
 

nearer

 

conspicuously

 

dropped

 

confidential

 

lounged

 

possibly

 

grunted


couldn

 
writes
 

playwright

 

curious

 

audience

 

happening

 

roadsides

 

ditches

 

potheen

 

skeptical


interest

 

watched

 

weather

 

annoyed

 

exclamations

 

smuggle

 
poetic
 
Galway
 
doubles
 

underground