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ke Tur, Kara thought. Or like any other bully. Then he looked up. A shadow crossed his path and he saw the great ball skim over the city. Tur was forgotten now. As he went toward the landing field with his men, Karn knew that he would never return to Earth. As long as Andra was on Mahlo he wanted to be there too. "You beat them!" she cried as she came from the ship. "Yes. And we will drive them from every city on Mahlo and back to the forests from which they came." "But that won't be necessary. There's no reason for you to risk your life. That's the trouble with--" "There is only one trouble," Karn interrupted. "The women of Mahlo have turned their men into women too." "You can't talk to me like that!" Andra flared. Karn found his men watching him. He had led them to victory over the Green Ones. But with women it was another story. Could he stand up to Andra? They were watching Karn, ready to follow him again. But which way would he go? "Woman," Karn said, "hold your tongue!" Her face reddened with anger, then turned white as Karn took a threatening step forward. Her head dropped in submission. It was victory, complete and final. Before Karn's eyes the men of Mahlo seemed to grow inches taller. Their shoulders straightened. For the first time they were out of bondage. They were men. And it was this man from another world, Karn, who made them so. THE END * * * * * TRANSCRIBER'S NOTE This etext was produced from Amazing Stories October 1948. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. End of the Project Gutenberg EBook of The Frightened Planet, by Sidney Austen *** END OF THIS PROJECT GUTENBERG EBOOK THE FRIGHTENED PLANET *** ***** This file should be named 33513.txt or 33513.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/5/1/33513/ Produced by Greg Weeks, David J. Cole and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Te
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