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e poor girls, who lived in the Calle de Aguila, the fashionable Spanish street, and had been awakened from their siesta by the _grito_ and disturbance, had come, attended by their negro waiting-maids, to pay a visit to their friend Isidra, whom they had found giving herself up to all the delights of Mexican _farniente_. The mirador on which the three girls were lounging and smoking, was connected with the _sala_, or drawing-room, by lofty folding-doors, which stood open. At the further end of this sala was the _estrada_, a kind of raised platform; on the estrada a large low ottoman, and on the ottoman two figures, of which the one sat upright, and the other was in a reclining posture. The girdle of the latter was loosened, and the upper part of the body bare of all covering, except a profusion of glossy black hair, which was spread out over the bosom and shoulders; answering, however, less the purpose of a veil, than that of making more evident the whiteness of the owner's skin. The lady thus unceremoniously disapparelled was apparently very young; but no inference could be drawn from her face, which was concealed in the lap of her companion, a mulatto girl, whose fingers and eyes were alike busy in an investigation of her mistress's head; a search so eager, active, and absorbing, that she resembled a huntress, forgetting, in the ardour of the chase, all surrounding objects. The saloon occupied by these two damsels was furnished in the usual manner of Spanish houses of the better class; the floor spread with _esteras_, or mats, a large table in the centre, and two smaller ones at the sides, the latter supporting images of the Virgen de los Remedios, and of San Jago de Compostella. A dozen or two high-backed chairs, dating probably from the time of Philip the Fourth, made up the furniture. The walls were covered with square tiles of blue earthenware, the hangings were of green Cordovan leather, and instead of the chandelier, which hung in one corner of the extensive apartment, six silken cords were suspended from the large gilt hook in the centre of the ceiling. On the table in the middle of the room lay several musical instruments, amongst them a Spanish guitar and a Mexican _teponatzli_ or lute--the latter a hollow wooden cylinder, with two parallel holes cut in the centre, and played upon by means of sticks tipped with caoutchouc. A cloister-like stillness reigned in the saloon as well as on the balcony, and not
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