pale, neither gay
nor sad, neither contented nor discontented, neither energetic
nor dull, neither proud nor humble, neither good nor bad, neither
generous nor miserly, neither courageous nor cowardly, neither
too much nor too little of anything--a man notably moderate in
all respects, whose invariable slowness of motion, slightly
hanging lower jaw, prominent eyebrows, massive forehead, smooth
as a copper plate and without a wrinkle, would at once have
betrayed to a physiognomist that the burgomaster Van Tricasse was
phlegm personified. Never, either from anger or passion, had any
emotion whatever hastened the beating of this man's heart, or
flushed his face; never had his pupils contracted under the
influence of any irritation, however ephemeral. He invariably
wore good clothes, neither too large nor too small, which he
never seemed to wear out. He was shod with large square shoes
with triple soles and silver buckles, which lasted so long that
his shoemaker was in despair. Upon his head he wore a large hat
which dated from the period when Flanders was separated from
Holland, so that this venerable masterpiece was at least forty
years old. But what would you have? It is the passions which wear
out body as well as soul, the clothes as well as the body; and
our worthy burgomaster, apathetic, indolent, indifferent, was
passionate in nothing. He wore nothing out, not even himself, and
he considered himself the very man to administer the affairs of
Quiquendone and its tranquil population.
The town, indeed, was not less calm than the Van Tricasse
mansion. It was in this peaceful dwelling that the burgomaster
reckoned on attaining the utmost limit of human existence, after
having, however, seen the good Madame Brigitte Van Tricasse, his
wife, precede him to the tomb, where, surely, she would not find
a more profound repose than that she had enjoyed on earth for
sixty years.
This demands explanation.
The Van Tricasse family might well call itself the "Jeannot
family." This is why:--
Every one knows that the knife of this typical personage is as
celebrated as its proprietor, and not less incapable of wearing
out, thanks to the double operation, incessantly repeated, of
replacing the handle when it is worn out, and the blade when it
becomes worthless. A precisely similar operation had been going
on from time immemorial in the Van Tricasse family, to which
Nature had lent herself with more than usual complacency. From
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