in beer and
syrups. Some conversation on the weather, the appearance of the
crops, the fine condition of the gardens, the care of flowers,
and especially of tulips; a slow and measured dance, from time to
time, perhaps a minuet; sometimes a waltz, but one of those
German waltzes which achieve a turn and a half per minute, and
during which the dancers hold each other as far apart as their
arms will permit,--such is the usual fashion of the balls
attended by the aristocratic society of Quiquendone. The polka,
after being altered to four time, had tried to become accustomed
to it; but the dancers always lagged behind the orchestra, no
matter how slow the measure, and it had to be abandoned.
These peaceable reunions, in which the youths and maidens enjoyed
an honest and moderate pleasure, had never been attended by any
outburst of ill-nature. Why, then, on this evening at Collaert
the banker's, did the syrups seem to be transformed into heady
wines, into sparkling champagne, into heating punches? Why,
towards the middle of the evening, did a sort of mysterious
intoxication take possession of the guests? Why did the minuet
become a jig? Why did the orchestra hurry with its harmonies? Why
did the candles, just as at the theatre, burn with unwonted
refulgence? What electric current invaded the banker's drawing-rooms?
How happened it that the couples held each other so closely, and
clasped each other's hands so convulsively, that the "cavaliers seuls"
made themselves conspicuous by certain extraordinary steps in that
figure usually so grave, so solemn, so majestic, so very proper?
Alas! what OEdipus could have answered these unsolvable
questions? Commissary Passauf, who was present at the party, saw
the storm coming distinctly, but he could not control it or fly
from it, and he felt a kind of intoxication entering his own
brain. All his physical and emotional faculties increased in
intensity. He was seen, several times, to throw himself upon the
confectionery and devour the dishes, as if he had just broken a
long fast.
The animation of the ball was increasing all this while. A long
murmur, like a dull buzzing, escaped from all breasts. They
danced--really danced. The feet were agitated by increasing
frenzy. The faces became as purple as those of Silenus. The eyes
shone like carbuncles. The general fermentation rose to the
highest pitch.
And when the orchestra thundered out the waltz in "Der
Freyschuetz,"--when this
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